#erie

Sick is a relative concept. We’re all sick. The question is, what degree of functionality do we have with respect to the rules society sets for desirable behavior? No actions are in themselves symptoms of sickness. You have to look at the context within which these actions are performed. ↗

— Jo Nesbø The Redbreast

#fiction #harry-hole #scandinavian-mysteries #respect

I like you, Dawn. I've seen a lot of humans, from far away and up close. I've never met one like you. I think you're the closest thing to a sunrise I'll ever see. ↗

— J.A. London

#vampire-series #romantic

Where visual artists are concerned, the Baroque sculptor and architect Bernini and the painter and sculptor Picasso were clearly adept at both experiential and instrumental attending, says Tellegen, as is the modern architect Frank Gehry. Choosing a literary example, he says that F. Scott Fitzgerald once admitted to "wrapping one of his romantic flings in cellophane" for later artistic use and notes that "this kind of heartless but honest professionalism is not uncommon among creative people. ↗

— Winifred Gallagher

#attention #creative #experiential #focus #instrumental

She was never going to get used to how much the Faeries seem to stare at her, as if dissecting her and examining the little pieces inside her like a science project.~Ever Fire: A Dark Faerie Tale #2 ↗

— Alexia Purdy

#faeries #fairy #fey #paranormal #ya

The argument that there are just wars often rests on the social system of the nation engaging in war. It is supposed that if a ‘liberal’ state is at war with a ‘totalitarian’ state, then the war is justified. The beneficent nature of a government was assumed to give rightness to the wars it wages. ...Woodrow Wilson and Franklin Roosevelt were liberals, which gave credence to their words exalting the two world wars, just as the liberalism of Truman made going into Korea more acceptable and the idealism of Kennedy’s New Frontier and Johnson’s Great Society gave an early glow of righteousness to the war in Vietnam. What the experience of Athens suggests is that a nation may be relatively liberal at home and yet totally ruthless abroad. Indeed, it may more easily enlist its population in cruelty to others by pointing to the advantages at home. An entire nation is made into mercenaries, being paid with a bit of democracy at home for participating in the destruction of life abroad. ↗

— Howard Zinn

#experience

The most self-damaging words in the English language are: try, might, and if. These are words of uncertainty. Will you fail? That is possible. But continue doubting your abilities and you’ll never succeed. ↗

— Dannika Dark

#ability #confidence #damaged #damaging #doubt

But the other half of my motivation came from farther back in my brain, in the curious part that I inherited. It came from the spot in my skull that feels the burning need to unravel puzzles, finish crosswords, indulge in Internet games, and read all the mystery books I can get my grubby little paws on. Like it or not, need it or not, and want it or not, I can't leave a good mystery alone. ↗

— Cherie Priest

#puzzles #solving-mysteries #motivational

You know, while you’re off sexercizing, I’ll be sitting here all by my lonesome watching lame ass lifetime movies. ↗

— Kimberly Spencer

#ya-urban-fantasy #movies

Is there a support group for people who didn’t like ‘Brokeback Mountain’? We must, if the rave reviews and the newspaper reports are to be believed, be a very tiny — not to mention vulnerable — minority. Am I dead inside because I didn’t experience the torrent of emotions I’ve been reading about? Am I as emotionally crippled as Ennis because I didn’t blub and hug after sitting through this ‘visceral’ movie, but instead wanted to go and ‘help with the roundup’? ↗

— Mark Simpson

#film #masculinity #men #experience

All that day we went about stunned – we, the small town of real people behind the corporate logo of a ringed blue planet spinning through starry space. In the studio's Corner Store, in small groups that met on the company streets and in a hundred offices, we pieced our own experiences together with what was coming to light in the media. The suspect: a deranged, 43-year-old drifter who two days earlier had allegedly killed three people in Albuquerque, NM. He had fled to California where for reasons unknown he had been trying to contact actor-producer Michael Landon on the day of the shootings. The employees he had approached had repeatedly turned him away, since Landon had no particular connection with our studio. But just after dark the man had come back to the main gate again. He had walked up to a young actress waiting for her ride after an audition, said "hello" to her and then stepped over to the guardhouse. "I heard a shot and looked up," a secretary who had been passing nearby told me. "I saw Jeren fall and heard him groan. And there was this guy in a gray jacket just standing over him, pointing down at him with a gun. Then he raised the gun and pointed it at the other guard and shot again, and I saw Armando fall out the other side of the guardhouse. For a split second – just because we're at a movie studio – I thought it must be a movie they were filming. But there weren't any lights or cameras, and I realized it was real, and I thought, ‘He's gonna come after us because we saw it!' So I ran. I felt I was running for my life. ↗

— James Glaeg

#the-man-in-the-pink-shirt #experience