There is another interesting paradox here: by immersing ourselves in what we love, we find ourselves. We do not lose ourselves. One does not lose one's identity by falling in love. ↗
Falling in love is awesome, but I'm never drawn to happy songs per se, so whenever you sit down to write a heartbreak song and you're happily in love, it's like, 'OK, now I have to go back to a sad place to get something good.' ↗
My kind of gay, meeting a woman and falling in love, is a different experience because it wasn't anything about 'Oh, I've always been gay and I'm breaking the chains.' ↗
The interesting thing is that I found scenes which I put together which could appeal to almost every woman, or apply to almost every woman after the war. Falling in love, dancing, marrying. ↗
I think real life couples on screen are kind of deadly. For the most part, they're kind of deadly. You'd be surprised. Unless they're falling in love onscreen for the first time, you don't have quite the same energy for some reason. ↗