#films

When I started out, I preferred to watch my films without music, as its presence tends to mask the underlying pace of the film. I felt I could feel the rhythm of the film better without music to influence me. ↗

— Paul Hirsch

#could #feel #felt #film #films

I think one of my biggest influences is Bette Davis. I've seen almost every one of her films, and she's been very inspiring to me. ↗

— Elizabeth Moss

#been #bette #bette davis #biggest #davis

I was a bartender in New York and I overheard this girl saying she made $3000 doing a commercial. A kid at work told me, 'Hey, I know this director and he'd really like you!'. So I walked into this guy's office and was like 'I was thinking maybe I could make $3000' and he hired me for commercials, short films, like 15 jobs in a row. ↗

— Pauley Perrette

#commercial #commercials #could #director #doing

There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it. ↗

— Michael Pitt

#door #equals #figure #films #fire

Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice. ↗

— Eve Golden

#classic-hollywood #film #films #frank-capra #hollywood

Imagine your life is a big canvas. Picture it in your mind and think about the beginnning of your painting of life.You're fourteen yours old, and you are lucky if you have one seventh painted. Now imagine the rest of the canvas is totaly empty. Every day you live, and every month and every year, means another inch that is painted on that canvas. You're going to be painting this empty canvas with your life and when you get to the end of it, what is that painting going to look like? ↗

— Stephen Biro

#hell #hellucination #lsd #satan #stephen-biro

I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation. ↗

— Satyajit Ray

#based #been #eighteen #films #find

Keep it in mind, every second I live, is only for you. Every breath I take has your name on it. And every moment I spend, is so that I can be with you forever. The day you cease to exist in my life, my life will cease to exist at all. #LIFE OF LOVE (Film) ↗

— Santonu Kumar Dhar

#life-of-love #life-of-love-film #love #romance-love #love

There are all kinds of ways that people present their films, but that's kind of a good feeling, if you can make it seem like the characters are really there. ↗

— Gus Van Sant

#feeling #films #good #good feeling #kind

All the characters in my films are fighting these problems, needing freedom, trying to find a way to cut themselves loose, but failing to rid themselves of conscience, a sense of sin, the whole bag of tricks. ↗

— Michelangelo Antonioni

#characters #conscience #cut #failing #fighting