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#ge

Read through the most famous quotes by topic #ge




Their argument is that most shows are losers, which is true, but it's also disingenuous to say, 'We are not going to take the risk unless it is totally covered by the few successful shows that are out there.' ↗


— Dick Wolf


#argument #covered #disingenuous #few #going

When a soul in sin, under the impetus of grace, turns to God, there is penance; but when a soul in sin refuses to change, God sends chastisement. This chastisement need not be external, and certainly it is never arbitrary; it comes as an inevitable result of breaking God’s moral law. But the entrenched forces of the modern world are irrational, men nowadays do not always interpret disasters as the moral events they are. When calamity strikes the flint of human hearts, sparks of sacred fire are kindled and men will normally begin to make an estimate of their true worth. In previous ages this was usual: a disordered individual could find his way back to peace because he lived in an objective world inspired by Christian order. But the frustrated man of today, having lost his faith in God, living as he does, in a disordered chaotic world, has no beacon to guide him. In times of trouble he sometimes turns in upon himself, like a serpent devouring its own tail. Given such a man, who worships the false trinity of (1) his own pride, which acknowledges no law; (2) his own sensuality, which makes earthly comfort it goal; (3) his license, which interprets liberty as the absences of all restraint and law—then a cancer is created which is impossible to cure except through an operation or calamity unmistakable as God’s action in history. It is always through sweat and blood and tears that the soul is purged of its animal egotism and laid open to the Spirit … Catastrophe can be to a world that has forgotten God what a sickness can be to a sinner; in the midst of it millions might be brought not to a voluntary, but to an enforced crisis. Such a calamity would put an end to Godlessness and make vast numbers of men, who might otherwise lose their souls, turn to God. ↗


— Fulton J. Sheen


#suffering #age

Oscar Wilde was born in Dublin, on the 15th October, 1856, so that he is now about twenty-six years of age, but brief as has been his career, it has been full of promise for the future. The son of highly intellectual parents, he has had an exceptional education, has travelled much in wild and remote, through classic lands, and in the course of these journeys has learnt to appreciate the beauties of the old authors, in whose works whilst at college he attained exceptional proficiency. But his naturally enthusiastic temperament teaches him to hope for better in the future than has been achieved in the past, and to see how vast will be the influence of Art and Literature on the coming democracy of Intellect, when education and culture shall have taught men to pride themselves on what they have done, and not alone on the deeds of their ancestors. ↗


— Walter Hamilton


#oscar-wilde #victorian #victorian-era #walter-hamilton #age

Let your dissent fuel you, your anger inspire you, your rage convey you, and your fury strike a chilling fear onto the spines of your enemies. ↗


— Evan Meekins


#dissent #fantasy #fantasy-fiction #fiction #fury

Whether or not, he felt very much at home in this state. It was to places like this that they had sent him all over the world in defense of New York, until he had come almost to believe that the concrete caverns and towers he seemed dimly to remember, the pale people themselves, were no more than childhood fantasies he had dreamed for himself. He had felt little urge to try to find them again. Hopefully he had followed the Cat out to the new coast, only to find there the same grotesque imaginary cities already erected and fanatically maintained by old children. It was his loss alone that he could not play at their game with them, but he could not. He had been born in New York, taught the rules in New York and New England, yet it seemed to him that he had been holding his breath until he reached Arivada, New Africa. Here the dream cities, no matter whether adobe or gold, had long ago been abandoned, thus had collapsed, and all that remained was the earth. It spread around him as drab and coarse as an old army blanket, inviting only those weary with fighting or dying, overlooked by the children. If still in one piece the whole world would look like this in old age - Arivada was ready, but could Manhattan support mesquite? ↗


— Douglas Woolf


#arizona #age

...I shall let [Anne] Wallace put the case herself, at what I think is necessary length: 'As travel in general becomes physically easier, faster, and less expensive, more people want and are able to arrive at more destinations with less unpleasant awareness of their travel process. At the same time the availability of an increasing range of options in conveyance, speed, price, and so forth actually encouraged comparisons of these different modes...and so an increasingly positive awareness of process that even permitted semi-nostalgic glances back at the bad old days...Then, too, although local insularity was more and more threatened...people also quite literally became more accustomed to travel and travellers, less fearful of 'foreign' ways, so that they gradually became able to regard travel as an acceptable recreation. Finally, as speeds increased and costs decreased, it simply ceased to be true that the mass of people were confined to that circle of a day's walk: they could afford both the time and the money to travel by various means and for purely recreational purposes...And as walking became a matter of choice, it became a possible positive choice: since the common person need not necessarily be poor. Thus, as awareness of process became regarded as advantageous, 'economic necessity' became only one possible reading (although still sometimes a correct one) in a field of peripatetic meanings that included 'aesthetic choice'.' It sounds a persuasive case. It is certainly possible that something like the shift in consciousness that Wallace describes may have taken place by the 'end' (as conventionally conceived) of the Romantic period, and influenced the spread of pedestrianism in the 1820s and 1830s; even more likely that such a shift was instrumental in shaping the attitudes of Victorian writing in the railway age, and helped generate the apostolic fervour with which writers like Leslie Stephen and Robert Louis Stevenson treated the walking tour. But it fails to account for the rise of pedestrianism as I have narrated it. ↗


— Robin Jarvis


#age

Something else changed when querinalo changed. Our immortality began to become—it is difficult to explain. None of us began to age, nor did we lose our vitality. Rather it was as if what was resilient within us began to stiffen. Traits of character became not merely habits, but defining elements. I suppose for me that it was fortunate — or unfortunate, given my current situation as your prisoner — that one of my defining traits has always been curiosity. Curiosity is one of the seeds of creativity, so that remained to me as well, but many of my associates were less fortunate. "Remember that Virim recruited us all because we shared a certain idealism. However, I fear that not much time needs to pass for idealism to become dogmatism. This was the case for many of my associates. They became dogmatic, but not regarding the same things." Firekeeper wondered what dogs had to do with ideas, but thought she understood. Dogs, like wolves, were pack animals, but unlike wolves, dogs retained a juvenile desire to follow. So these spellcasters had been Virim's dogs, and when this stiffening happened, they had become even more doglike. It made sense in a way. ↗


— Jane Lindskold


#dogma #dogmatism #age

I held a brief debate with myself as to whether I should change my ordinary attire for something smarter. At last I concluded it would be a waste of labour. "Doubtless," though I, "she is some stiff old maid ; for though the daughter of Madame Reuter, she may well number upwards of forty winters; besides, if it were otherwise, if she be both young and pretty, I am not handsome, and no dressing can make me so, therefore I'll go as I am." And off I started, cursorily glancing sideways as I passed the toilet-table, surmounted by a looking-glass: a thin irregular face I saw, with sunk, dark eyes under a large, square forehead, complexion destitute of bloom or attraction; something young, but not youthful, no object to win a lady's love, no butt for the shafts of Cupid. ↗


— Charlotte Brontë


#appearance #beauty #fiction #victorian #youth

I have, however, to live in an age of Faith — the sort of thing I used to hear praised and recommended when I was a boy. It is damned unpleasant, really. It is bloody in every sense of the word. And I have to keep my end up in it. Where do I start? With personal relationships. Here is something comparatively solid in a world full of violence and cruelty. Not absolutely solid... We don’t know what other people are like. How then can we put any trust in personal relationships, or cling to them in the gathering political storm? In theory we can’t. But in practice we can and do. Though A is unchangeably A or B unchangeably B, there can still be love and loyalty between the two. For the purpose of loving one has to assume that the personality is solid, and the “self” is an entity, and to ignore all contrary evidence. And since to ignore evidence is one of the characteristics of faith, I certainly can proclaim that I believe in personal relationships. ↗


— E.M. Forster


#age

These rules, the sign language and grammar of the Game, constitute a kind of highly developed secret language drawing upon several sciences and arts, but especially mathematics and music (and/or musicology), and capable of expressing and establishing interrelationships between the content and conclusions of nearly all scholarly disciplines. The Glass Bead Game is thus a mode of playing with the total contents and values of our culture; it plays with them as, say, in the great age of the arts a painter might have played with the colours on his palette. ↗


— Hermann Hesse


#language-game #metagame #metagaming #age






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