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Greg Broadmore's fertile and twisted imagination has conjoined multiple genres, memories, and a sharp sense of pulp, colonialist nostalgia/parody in this lavish, fully realized, imaginative tour-de-force. It's Jules Verne meets Fritz Lang meets Tintin. It's beyond Steampunk. It's clearly an insatiable passion for the talismans of a bygone civilization and it's slavish addiction to the early industrial age in all it's filigreed, ignorant glory. Greg has raised the bar. ↗
I like the idea of taking a true classic written by a true genius and destroying it essentially! I like the idea of bringing it down to earth a bit - and even a bit lower than that. ↗
