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My interest in Sufism began when I was a college student. At the time, I was a rebellious young woman who liked to wrap several shawls of ‘-isms’ around her shoulders: I was a leftist, feminist, nihilist, environmentalist, anarcho-pacifist…I wasn’t interested in any religion and the difference between ‘religiosity’ and ‘spirituality’ was lost to me. Having spent some time of my childhood with a loving grandmother with many superstitions and beliefs, I had a sense the world was not composed of solely material things and there was more to life than I could see. But the truth is, I wasn’t interested in understanding the world. I only wanted to change it. ↗
I don't want to become obsessed with work or money or change any of the values I have now. I don't have reason to believe that I ever should change, as much as I have this feeling of urgency to pursue my dreams... ↗
I suppose what I mean is, I never felt like I was part of a gang. No, that's the wrong word. Part of a MOVEMENT! That's it. It feels like there's a swirling, shining wind of change sweeping right at you, sweeping over everyone, and you're inside it. It feels like there is something that transcends you, that goes beyond whatever you are, that is great and whole and good. Great, because when it all comes together it's so much more than all its individual pieces. Whole because you're part of it and if you weren't, then both you and it would be diminished. Good because at its core is pure talent and skill, like you know you'll never have yourself. ↗
Consider this: when you stand at the entry to a steel factory, you can make out through the smoke some men, some metal, the fires. The furnaces roar, the hammers crash; and the metalworkers who forge ingots, weapons, tools, and so on are completely ignorant of the real uses to which their products will be put. The workers can only refer to their products by conventional names. Well, that's where we all stand, all of us! Nobody can see the real character of what he creates because every knife blade may become a dagger, and the use to which an object is put changes both its name and its nature. Only our ignorance shields us from terrible responsibilities. ↗
I can't believe this heat," Abbey said, taking her tunic and pulling it over her head. Underneath was a form-fitting top that showed a figure unaccustomed to idleness or excess. Kip stared at her the way he had at the shiney curves of the steel horse back in the garage. "Can you imagine what it must have been like hundreds of years ago, when weather changed just a few times a year?" she said, wiping sweat from her brow with the back of her hand. "Yeah, it must have looked great," Kip said. "What do you mean looked great?" Abbey said, turning her eye on Kip. "Must have been great, like you said," he corrected. ↗
When we change the shape of the Land, we alter the contents and contexts of our collective, familial, and personal memories. Yet, stories can preserve both mythic and familiar elements of geography even when the physical features are forgotten, buried, or obliterated. And more than this: the stories can bring these elements back. If the Land can be preserved long enough for its stories to be told, and retold, perhaps we all — as custodians of both place and memory — stand a chance at real preservation. ↗
#land #preserving #shape #change
Change is good - that’s the credo Evan Handler reinvigorates with the hard won wisdom of this hard luck story. Handler’s prose style is disarmingly funny and smoothly conversational. He writes like a guy who's just happy to be here, and a little pissed off at you if you're not. As he has worked hard to shape himself into a good actor, life has shaped him into a good man. The cover photo is worth the price alone. ↗
