#history

A shame that these images had become iconic, a tune we were all tired of humming. ↗

— Elizabeth Kostova

#art

Danes bi dejal, da me je srednji vek privlačil zaradi dveh razlogov. Najprej zaradi poklicnih razlogov. Odločil sem postati zgodovinar po poklicu. Prakticiranje večine znanosti je brez dvoma stvar profesionalcev, strokovnjakov. Zgodovinska znanost ni tako ekskluzivna. Četudi gre po mojem mnenju za razpravo, ki je pomembna za naš čas, ko mediji omogočajo malone vsakomur pripovedovati ali pisati zgodovino v podobah ali v besedah, se ne bom lotil vprašanja kakovosti zgodovinske produkcije. Nikakršnega monopola ne zahteva za znanstvene zgodovinarje. Diletanti in vulganizatorji zgodovine so po svoje dopadljivi in koristni; njihova uspešnost pa kaže, kako močno potrebo občutijo današnji ljudje, da bi se udeleževali kolektivnega spomina. Želim si, da bi zgodovina ob tem, ko bo postala bolj znanstvena, lahko še zmeraj ostala umetnost. Če hočemo hraniti spomin ljudi, potrebujemo prav toliko okusa, stila in strasti kakor strogosti in metode. Zgodovino delamo z dokumenti in idejami, z viri in z domišljijo. ↗

— Jacques Le Goff

#history #medieval-history #srednji-vek #umetnost #za-drugačen-srednji-vek

Blaise decided that the thing he would remember most about this London was the sour stink of it. The overripe foulness of the streets made him gag, and when a woman emptied a chamber pot from a top window, nearly catching him in its spray, he bent over and wretched, much to the Nightsneaks' amusement. ↗

— Teresa Flavin

#history #london #middle-grade-fantasy #art

You don’t rewrite it, censor it, or edit it, to suit some warped view you have of the past and your own present. ↗

— V.T. Davy

#censor #channel #crime #detective #edit

We lost Klimmt, Schiele and Moll ↗

— George Pratt

#humorous-quotations #art

The homage paid to the fragment and the dismantling of the large narratives had had their spatial counterpart in the lack of integrated and conceptual vision of urban construction, and perhaps also of social construction. ↗

— Sverker Sörlin

#modernism #sweden #art

The riders, clad in crimson and black, stopped to scan the maze. Blaise shrank into the hedge, but one keen-eyed hunter spied him. He raised his crossbow, took careful aim and fired. ↗

— Teresa Flavin

#art #history #mystery #young-adult #art

The value of a work of art cannot ultimately turn on the more or less of its subservience to ideology; for painting can be grandly subservient to the half-truths of the moment, doggedly servile, and yet be no less intense. ↗

— T.J. Clark

#art #art-history #art

Think about it. People in the sixteenth century - not to mention in Jesus's time - didn't look like this: perfect skin, perfect hairdos, spotless clothes. These are people who went to the bathroom in the street, for God's sake. There's no way they looked like this. But that's how we're going to remember them. Our alabaster past. When nothing else is left, art will become the truth of the time. Then people will get to the nineteenth and twentieth centuries and wonder what happened - how we all became so imperfect. ↗

— Julia David Levithan

#art #david-levithan #history #art

Indeed, the future is signalled in the past, but time has to pass to see it. Art is the witness. BLOG post-Perpetual Beginning-November 14 2011 ↗

— Kathryn Brimblecombe-Fox

#future #history #past #present #art