#hitch

The behaviour of the English people I had run into was making it very difficult to nail down a theory that the reason my trip so far had been such a bizarre success, was that Irish people were crazy. One Englishman had spent a morning on the telephone trying to organise a helicopter to take me out to an island, when a boat was leaving only a few yards away, and here was another, making a two-hour round trip for no reason other than to lend a helping hand. Two of the more eccentric pieces of behaviour hadn't been performed by the Irish, but by my fellow countrymen. However, both Andy and Tony had embraced wholeheartedly a love of the Irish way of living life. ↗

— Tony Hawks

#hospitality #irish-people #welcoming #life

One evening, at the time of the Six-Day War, I [Christopher Hitchens] had my wicked way with a lovely lady, who had earlier intimated that she did not perhaps find me entirely repulsive. We procured a decent room, as I remember, at the Cadogan Hotel. Perhaps a little flown with wine, I asked her to don a Martin Amis face mask which I had—with a combination of sticky tape, elastic bands, cardboard, and a much-treasured photograph—prepared earlier. The fair damsel was happy to oblige, and thus attired she permitted me to embark on the hugely agreeable pathway to libidinous fulfillment. ↗

— Craig Brown

#martin-amis #six-day-war #love

In Hitchcock's eyes the movement was dramatic, not the acting. When he wanted the audience to be moved, he moved the camera. He was a subtle human being, and he was also the best director I have ever worked with. ↗

— Bruce Dern

#also #audience #being #best #camera

I was under contract with Hitchcock before I even met him. They wouldn't tell me anything about the film, or who was working on it. They had all sorts of excuses as to why they couldn't tell me anything. ↗

— Tippi Hedren

#anything #before #contract #even #excuses

Hitchcock had a very strange mind. ↗

— Tippi Hedren

#hitchcock #mind #strange #very

...to experience a furious disillusionment with ‘conventional’ politics, a bit young to be so cynical and so superior, you may think. My reply is that you should fucking well have been there, and felt it for yourself. ↗

— Christopher Hitchens

#experience

I think there is a feeling of old Hitchcock in there. There are parts that are tributes to some of the old great horror movies and the old great filmmakers. ↗

— Gina Philips

#filmmakers #great #hitchcock #horror #horror movies

My favorite types of movies definitely aren't thrillers, but at the same time you can't deny the genius of Hitchcock's films. ↗

— Aaron Yoo

#deny #favorite #films #genius #hitchcock

I [Christopher Hitchens] moved into Mart's sock—where you lived was your 'sock.' Your rug was your 'hair.' Your knee was still your knee: we couldn't think of another word for it. We called our penises our 'willie winkies' and our shared lavatory 'the bog.' There were a lot of brilliantly inventive word games of that kind. What if you changed 'heart' to 'dick' in any well-known song or phrase? Bury my dick at Wounded Knee. Dick-break Hotel. Don't go breaking my dick ... They may, in retrospect, seem infantile, but they built intellectual muscle and taught us all we knew about philosophy, psychology, and other -ologies too numerous (and humorous!) to mention. It was at the time of the wholly reprehensible bombing of Cambodia. These dazzling jests were part of the reason why, when Mart and I got together, nobody felt able to leave the room, or sock-toe. A glimpse, if you will, of another era, a time when Mr. Wilde had sparred so felicitously with Mr. Whistler across their effortlessly groaning table at the imperious Cafe Royal. ↗

— Craig Brown

#martin-amis #change

The only moral it is possible to draw from this story is that one should never throw the Q letter into a privet bush, but unfortunately there are times when it is unavoidable. ↗

— Douglas Adams

#hitchihikers #humor #philosophy #humor