My thought has always been completion. Maybe you have to rebound better, shoot better, hit free throws, handle the ball, defend better. You have to do all those things in the course of a game. ↗
When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it. ↗
The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility. ↗
On my left the shooting had the sharp explosion of the infantry artillery, on my right could be heard the sporadic cannon shots thundering from the front, and up above the sky was clear and the sun bright. ↗
It's going to you know, I can't go out there and shoot par and win. Everybody is playing well, and I think you'll have to go out tomorrow and have 4 , 5 , 6 under par probably. ↗
When I shoot actors, I have that dilemma. I want the actor to be good, and sometimes I have to push them to a place that isn't pleasant. I always think: 'Is it worth doing for the sake of the movie?' But I have to remember the bigger picture. ↗
I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting. ↗