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The freedom of an unscheduled afternoon brought confusion rather than joy. Julius had always been focused. When he was not seeing patients, other important projects and activities-writing, teaching, tennis, research-clamored for his attention. But today nothing seemed important. He suspected that nothing had ever been important, that his mind had arbitrarily imbued projects with importance and then cunningly covered its traces. Today he saw through the ruse of a lifetime. Today there was nothing important to do, and he ambled aimlessly down Union Street. ↗
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again. ↗
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Veil, you see, if I vas to say something portentous like "zer dark eyes of zer mind" back home in Uberwald, zer would be a sudden crash of thunder,' said Otto. 'And if I vas to point at a castle on a towering crag and say "Yonder is . . . zer castle" a volf would be bound to howl mournfully.' He sighed. 'In zer old country, zer scenery is psychotropic and knows vot is expected of it. Here, alas, people just look at you in a funny vay. ↗
From his bedroom window on the Marine Corps Base in Quantico, Nathaniel Dixon watched in awe at the four-ship formation of V-22 Ospreys chewing up the Virginia air with their massive, wingtip-mounted tilt rotors as they made a pass over the flight line. The aircraft grew in his window as they approached the small bungalow he lived in with his mother and father on base. Just before they flew out of sight, Nathaniel clapped his hands together over the window and imagined smashing each Osprey like a dragonfly. Then, he imagined each falling to earth in flames, smashing in a great ball of fire in his backyard. ↗
We regard the photograph, the picture on our wall, as the object itself (the man, landscape, and so on) depicted there. This need not have been so. We could easily imagine people who did not have this relation to such pictures. Who, for example, would be repelled by photographs, because a face without color and even perhaps a face in reduced proportions struck them as inhuman. ↗
The pleasure of living and the pleasure of the orgasm are identical. Extreme orgasm anxiety forms the basis of the general fear of life. ↗
