I think as an actress, I prefer having a character on the page. It allows you to be more invested in actually creating a whole person. It's easier when you're not trying to come up with your next line on the spot. ↗
We made records to document ourselves, not to sell a lot of records. I still feel that way. I put out a record because I think it's beautiful, not necessarily commercial. ↗
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot. ↗
I think every character actor at some stage likes to carry a film. It can be extremely liberating to just come in for a scene or two and do your thing. But I find it frustrating if I'm just doing little bits here and there for too long. ↗
I think one thing that helped the sound change, it's a real subtle thing; it's just one switch on my bass, it has three positions, and I usually boost the mid-range frequency, I lowered the frequency that I boost, and that goes out to the sound system, too. ↗
I think what my hope is is that the only downside of having a steady job on television is, I think for all actors, there's a piece, there's some adrenaline, and part of the love of the job is not knowing what's coming next, and the variety. ↗
I've never seen radio as the minor leagues, where I'm just really preparing to be in the show that really counts, namely, television, which is, I think, what people often assume. I've never felt that way. ↗