No subscription or hidden extras
Read through the most famous quotes by topic #i
Science uses the Red Shift to measure deep cosmic distances. But how to measure deep historic time? How about—the Saffron Shift. If history itself had a color, it is . . . like wood or bark, or living forest floor. Assigning hues to time periods, the sum total of history is saffron-brown—but the chromatic arc starts from blinding white (prehistory) to sun-yellow (Ancient Greece), then deepening to pale wood tones (Dark Ages) and finally exploding like an infinite chord into a full brown palette that includes mahoganies, siennas (Middle Ages), oak, sandalwood (the Renaissance), cherry, maple (Age of Reason), and near-black old woods (Industrial Revolution) for which there may not be names. As time approaches our own, the wood-brown palette fades to a weird glassy colorlessness, goes black-and-white for a brief span as you think of photographs of your grandparents, and then again fades until we get a clear medium that is the color of the world. And the present moment is perfectly transparent. It's only as you start looking into the future, that the colors start returning. The glass is turning silvery with a murky haze, and there is blue somewhere in the distance . . . ↗
Carolina removed an old and creased single sheet of paper, yellowed with age, that was now carefully protected in clear, acid-free paper. She handed it to Dara. "This was folded up in a parik-til, in the box with my birth certificate." "A parik-til?" asked Jennifer. "It is a small pouch that is filled with things to bring good luck or blessings." She held up the cloth bag and opened it for the girls to see. "Gypsies use them, but so do Native Americans as well as people from Central and South America and other parts of the world. When I got it, I had no idea what it was or what it meant. I knew the folded piece of paper was old and somehow had to be important to me since my birth parents had included it with the other things they wanted me to have." Carolina stood up and walked over to the window. How well she remembered the overwhelming emotions she felt when she first saw those pages of the Voynich Manuscript in the book she was reading, and then realizing that the ancient script was the same as what was on the piece of paper that had been preserved in the parik-til--her parik-til. "Anyway, as soon as I saw the photographs of some of the manuscript pages in the book I was reading, I made the connection immediately. It was the same script as what was on this sheet of paper that I had been given." All three FIGS crowded closely together to look at Carolina's treasure. ↗
#age
Can violence and the use of force to effect change upon the universe be left to the young? Do they see what was, what is, and what might yet be? Have they suffered, watched evil fall upon the good, or good upon the evil? Or should the burden of violence be left to those who can bear it most lightly—upon those who have closed their minds or their feelings? How can they understand the suffering that they must inflict? Should the burden of force be laid upon the short-lived, who will not see the consequences of their actions? How can they dispense force with compassion if they can escape the knowledge of what they do?... The greater the force brought to bear, the older and wiser must be the entity who wields it. Wisdom allows sorrow. Age allows experience, and knowledge reinforces wisdom and experience.... Those who would bear the burden of force must be those who are strong and do nit seek it, for those who seek force would misuse it, and those who are weak would shy from what they must do.... Findings of the Colloquy [Translated from the Farhkan] 1227-E.N.P. ↗
We have been waiting for an hour when we see a squad of German soldiers line up on the roadbed alongside the train. Next comes a column of people in civilian clothes. Surely they are Jews. All of them are rather well dressed, with suitcases in their hands as if departing peacefully on vacation. They climb aboard the train while a sergeant major keeps them moving along, “Schnell, schnell.” There are men and women of all ages, even children. Among them I see one of my former students, Jeanine Crémieux. She got married in 1941 and had a baby last spring. She is holding the infant in her left arm and a suitcase in her right hand. The first step is very high above the rocky roadbed. She puts the suitcase on the step and holds on with one hand to the doorjamb, but she can’t quite hoist herself up. The sergeant major comes running, hollers, and kicks her in the rear. Losing her balance, she screams as her baby falls to the ground, a pathetic little white wailing heap. I will never know if it was hurt, because my friends pulled me back and grabbed my hand just as I was about to shoot. Today I know what hate is, real hate, and I swear to myself that these acts will be paid for. ↗
Death is a beautiful naked man who looks like Apollo, and he is not satisfied with those who wither away in old age. Death is a perfectionist, he likes the young and beautiful, he wants to stroke our hair and caress the sinew that binds our muscle to the bone. He does all he can to meet us, our faces gladden his heart, and he stands in our path to challenge us because he likes a clean fair fight, and after the fight he likes to befriend us, clap us on the shoulder, and make us laugh at all the pettiness and folly of the living. At the conclusion of a battle he wanders amongst the dead, raising them up, placing laurels upon the brows of those most comely, and he gathers them together as his own children and takes them away to drink wine that tastes of honey and gives them the sense of proportion that they never had in life ↗
#age
