I mean the idea of this is that it's a good thing for the public to hear interviews like this and that there will be an inevitable amount of fewer interviews if people that the press talks to wind up thinking, well, it's not really a CBS correspondent. ↗
I wanted to be the perfect artist. I'd do three hours of media interviews a day, going to every radio station I could squeeze in. I'd sign autographs after the show until everybody left. ↗
I've made my records and I've done all the interviews. I've done lots of long tours. I've made stupid videos. I've done all that stuff and learned all the lingo and gone to radio stations and shmoozed with DJs on the air and met retail people. ↗
You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor. ↗
When I was 13 I asked my mother if it was possible for this to end - I'd had enough of it. And that was right about the time that we got a call for "The Exorcist" interview. ↗
Some are pre-taped interviews because maybe we can't get that person live or maybe we're not sure it's going to work out right so we tape it an hour in advance. ↗
I am a candid interview and I have a dark and dry sense of humor - a very Canadian sense of humor and I am only learning now stupidly that you can't read tongue. When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way. ↗
My favorite thing about being famous... it's not really as big of a deal as everybody says it is. Being on the road is tough, doing interviews, and all the stuff. It's still pretty tough. ↗