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The ambition of much of today's literary theory seems to be to find ways to read literature without imagination. ↗
Now I existed solely thanks to the quantum paradox, my brain a collection of qubits in quantum superposition, encoding truths and memories, imagination and irrationality in opposing, contradictory states that existed and didn't exist, all at the same time. ↗
Sometimes a story catches your imagination so much it has to be told. That is what I love about writing. It lets the images in your mind burst forth into words drawing a vivid picture that takes you away on a journey that would otherwise be impossible. ↗
Wisdom is not guaranteed with age but is realized through one's sensitivity to humanity and the universe ↗
I suddenly knew that religion, God - something beyond everyday life - was there to be found, provided one is really willing. And I saw that though what I felt in the church was only imagination, it was a step on the way; because imagination itself can be a kind of willingness - a pretence that things are real, due to one's longing for them. ↗
#faith #god #imagination #longing #religion
The heart is a repository of emotions--real, imagined, and invented, owned and borrowed, past, present, future--and there in your chest, operating at an average of 80 beats per minute at rest, is a heart that has stories to tell. ↗
The arts especially address the idea of aesthetic experience. An aesthetic experience is one in which your senses are operating at their peak; when you’re present in the current moment; when you’re resonating with the excitement of this thing that you’re experiencing; when you are fully alive. ↗
#creativity #writing #art
Taking architecture seriously therefore makes some singular strenuous demands upon us. It requires that we open ourselves to the idea that we are affected by our surroundings even when they are made of vinyl and would be expensive and time-consuming to ameliorate. It means conceding that we are inconveniently vulnerable to the color of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread. At the same time, it means acknowledging that buildings are able to solve no more than a fraction of our dissatisfactions or prevent evil from unfolding under their watch. Architecture, even at its most accomplished, will only ever constitute a small, and imperfect (expensive, prone to destruction, and morally unreliable), protest against the state of things. More awkwardly still, architecture asks us to imagine that happiness might often have an unostentatious, unheroic character to it, that it might be found in a run of old floorboards or in a wash of morning light over a plaster wall—in undramatic, frangible scenes of beauty that move us because we are aware of the darker backdrop against which they are set. ↗
