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This assumption of the intrinsically repressive nature of collective experience and redemptive power of individuation is a staple of contemporary art theory and criticism. I would argue that a closer analysis of collaborative and collective art practices can reveal a more complex model of social change and identity, one in which the binary oppositions of divided vs. coherent subjectivity, desiring singularity vs. totalizing collective, liberating distanciation vs. stultifying interdependence, are challenged and complicated. ↗
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If it's easy to be friendly she will be. If the wind blows the other way her friendship will be gone. And I'm thinking the wind is blowing the other way. She has found some other way to be an important person in her own right by hating others. ↗
