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My hope is that people will be repulsed by the character's complete lack of ethics and obsession with consumerism - that's what I was saying about the difference between the character's message and the film's message. ↗
Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time. ↗
Now come,” he said. “Does your Alex love you back, or is he a hopeless idiot?” “He loves me,” she said quietly. “But I’m afraid he’ll stop after we marry. He’ll change his mind. He’ll—” “He’ll love you more. Trust me.” “Really?” She was far too somber. “Really.” He had no words to make her smile, and so Gareth tweaked her nose. And she giggled. It had been a long time since he’d laughed. But despite all those years, he still remembered how. What he’d forgotten was the lightness of his soul when he did so. The moment was perfect. ↗
I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging. ↗
I suspect that many of the great cultural shifts that prepare the way for political change are largely aesthetic. A Buick radiator grille is as much a political statement as a Rolls Royce radiator grille, one enshrining a machine aesthetic driven by a populist optimism, the other enshrining a hierarchical and exclusive social order. ↗
