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Read through the most famous quotes by topic #lan
MAMBO SUN" "Beneath the bebop moon I want to croon with you Beneath the Mambo Sun I got to be the one with you My life's a shadowless horse If I can't get across to you In the alligator rain My heart's all pain for you Girl you're good And I've got wild knees for you On a mountain range I'm Dr. Strange for you Upon a savage lake Make no mistake I love you I got a powder-keg leg And my wig's all pooped for you With my hat in my hand I'm a hungry man for you I got stars in my beard And I feel real weird for you Beneath the bebop moon I'm howling like a loon for you Beneath the mumbo sun I've got to be the one for you ↗
The language of mathematics differs from that of everyday life, because it is essentially a rationally planned language. The languages of size have no place for private sentiment, either of the individual or of the nation. They are international languages like the binomial nomenclature of natural history. In dealing with the immense complexity of his social life man has not yet begun to apply inventiveness to the rational planning of ordinary language when describing different kinds of institutions and human behavior. The language of everyday life is clogged with sentiment, and the science of human nature has not advanced so far that we can describe individual sentiment in a clear way. So constructive thought about human society is hampered by the same conservatism as embarrassed the earlier naturalists. Nowadays people do not differ about what sort of animal is meant by Cimex or Pediculus, because these words are used only by people who use them in one way. They still can and often do mean a lot of different things when they say that a mattress is infested with bugs or lice. The study of a man's social life has not yet brought forth a Linnaeus. So an argument about the 'withering away of the State' may disclose a difference about the use of the dictionary when no real difference about the use of the policeman is involved. Curiously enough, people who are most sensible about the need for planning other social amenities in a reasonable way are often slow to see the need for creating a rational and international language. ↗
I’ll tell them,” she said. “I’ll tell them it was my fault.” He looked at her, gold eyes incredulous. “You can’t lie to them.” “I’m not. I brought you back,” she said. “You were dead, and I brought you back. I upset the balance, not you. I opened the door for Lilith and her stupid ritual. I could have asked for anything, and I asked for you.” She tightened her grip on his shirt, her fingers white with cold and pressure. “And I would do it again. I love you, Jace Wayland—Herondale—Lightwood—whatever you want to call yourself. I don’t care. I love you and I wil always love you, and pretending it could be any other way is just a waste of time. ↗
Nope,” she managed. “No other questions.” Eleven centuries of captivity. Hung on his hated enemy’s study wall. Eleven centuries of not touching. Not eating. Not loving. Had he had anyone to talk to? Her face must have betrayed her thoughts, for he startled her by saying softly, “ ’Tis no longer of consequence, lass, but thank you for the compassion. ’Tis nigh over. Seventeen more days, Jessica. That’s all.” For some reason his words brought a sudden hot burn of tears to the backs of her eyes. Not only hadn’t eleven centuries turned him into a monster, he was trying to soothe her, to make her feel better about his imprisonment. “You weep for me, woman?” She turned away. “It’s been a long day. Hell, it’s been a long week.” “Jessica.” Her name was a soft command. She disobeyed it, staring out the window at the rolling hills. “Jessica, look at me.” Eyes bright with unshed tears, she whipped her head around and glared at him. “I weep for you, okay?” she snapped. “For eleven centuries stuck in there. Can I start driving again or do you need something else?” He smiled faintly, raised his hand, and splayed his palm against the inside of the silvery glass. Without an ounce of conscious thought, her hand rose to meet his, aligning on the cool silver, palm to palm, finger to finger, thumb to thumb. And though she felt only a cold hardness beneath her palm, the gesture made something go all warm and soft in her heart. Neither of them spoke or moved for a moment. ↗
After Daskalos returned to his armchair and was getting ready to continue our discussion I asked him whether the affliction of that man was due to karmic debts. “ ‘All illnesses are due to Karma,’ Daskalos replied. ‘It is either the result of your own debts or the debts of others you love.’ “ ‘I can understand paying for one’s own Karma but what does it mean paying the Karma of someone you love?’ I asked. “ ‘What do you think Christ meant,’ Daskalos said, ‘when he urged us to bear one another’s burdens?’ “ ‘Karma,’ Daskalos explained, ‘has to be paid off in one way or another. This is the universal law of balance. So when we love someone, we may assist him in paying part of his debt. But this,’ he said, ‘is possible only after that person has received his ‘lesson’ and therefore it would not be necessary to pay his debt in full. When most of the Karma has been paid off someone else can assume the remaining burden and relieve the subject from the pain. When we are willing to do that,’ Daskalos continued, ‘the Logos will assume nine-tenths of the remaining debt and we would actually assume only one-tenth. Thus the final debt that will have to be paid would be much less and the necessary pain would be considerably reduced. These are not arbitrary percentages,’ Daskalos insisted, ‘but part of the nature of things. ↗
...and I put on "All My Love" and watched the sun rise yet again and thought thank you Robert Plant for all your love but do you have anymore? ↗
Language as a Prison The Philippines did have a written language before the Spanish colonists arrived, contrary to what many of those colonists subsequently claimed. However, it was a language that some theorists believe was mainly used as a mnemonic device for epic poems. There was simply no need for a European-style written language in a decentralized land of small seaside fishing villages that were largely self-sufficient. One theory regarding language is that it is primarily a useful tool born out of a need for control. In this theory written language was needed once top-down administration of small towns and villages came into being. Once there were bosses there arose a need for written language. The rise of the great metropolises of Ur and Babylon made a common written language an absolute necessity—but it was only a tool for the administrators. Administrators and rulers needed to keep records and know names— who had rented which plot of land, how many crops did they sell, how many fish did they catch, how many children do they have, how many water buffalo? More important, how much then do they owe me? In this account of the rise of written language, naming and accounting seem to be language's primary "civilizing" function. Language and number are also handy for keeping track of the movement of heavenly bodies, crop yields, and flood cycles. Naturally, a version of local oral languages was eventually translated into symbols as well, and nonadministrative words, the words of epic oral poets, sort of went along for the ride, according to this version. What's amazing to me is that if we accept this idea, then what may have begun as an instrument of social and economic control has now been internalized by us as a mark of being civilized. As if being controlled were, by inference, seen as a good thing, and to proudly wear the badge of this agent of control—to be able to read and write—makes us better, superior, more advanced. We have turned an object of our own oppression into something we now think of as virtuous. Perfect! We accept written language as something so essential to how we live and get along in the world that we feel and recognize its presence as an exclusively positive thing, a sign of enlightenment. We've come to love the chains that bind us, that control us, for we believe that they are us (161-2). ↗
#history-of-language #language #philosophy-of-language #prison #love
SPACEBALL RICOCHET" "I'm just a man I understand the wind And all the things that make the children cry With my Les Paul I know I'm small But I enjoy living anyway Book after book I get hooked everytime The writer talks to me like a friend What can I do We just live in a zoo All I do is play the spaceball ricochet Deep in my heart There's a house That can hold just about all of you I bought a car It was old but kind I gave it my mind and it disappeared I love a girl She is a changeless angel She's a city it's a pity that I'm like me I said how can I lay When all I do is play The spaceball ricochet I'm just a man I understand the wind And all the things that make the children cry With my Les Paul I know I'm small But I enjoy living anyway, yes too Deep in my heart There's a house That can hold just about all of you How can I lay When all I do is play The spaceball ricochet Oh Baby, the spaceball ricochet Oh Mama, the spaceball Oh, do the spaceball ... ↗
