Well, I think the first piece of music I ever heard that I really loved was 'Salome's Dances' by Richard Strauss. I played that 12-inch, 78 record, and I stood up on an ottoman to play it on a big Victrola and I'd just keep playing it and playing it. ↗
I like to look like a person. It drives me crazy when you see women in movies playing teachers, and they have biceps. It totally takes me out of the movie. I start thinking, Wow, that actress playing this part really looks great! ↗
If you capture the first thought that you have when you're creating, and then play that to people, it's kind of like the listeners are part of that beginning. And that's the most exciting part. ↗
For a long time I managed to think two things simultaneously, that I am actually a good playwright, and that the next time I write a play I will be revealed as someone who is no good at all. ↗
I don't keep a diary and I throw away nearly all the paper I might have kept. I don't keep an archive. There's something worrying about my make-up that I try to leave no trace of myself apart from my plays. ↗
I write plays because writing dialogue is the only respectable way of contradicting yourself. I put a position, rebut it, refute the rebuttal, and rebut the refutation. ↗
I'm so grateful to grab hold of something that wants to be a play. It doesn't happen very often. I don't have unwritten plays waiting for their turn. ↗