At this stage of my life, I've dedicated myself to playing what I want to play, how I want to play it for the rest of my time. Regardless of whether one might like it or one might not like it, this is where I am. ↗
The hesitancy is in the detail, not the principal. There has been no resistance to the principal of women playing in the Open if they are qualified for it. We are not dragging our feet. It's just that we never had cause to think about it before. ↗
I realised quite early on that, although I wasn't trying to make a career speciality of it, I was playing slightly asexual, sociopathic intellectuals. ↗
When you're playing somebody who's going through a lot - frustration and hardship - you're just purging all your emotions, and it feels really good to do that. ↗
A quick glance at the American left reveals a movement in the midst of a nervous breakdown, displaying behavior that goes beyond inconsistency into the realm of bipolar moods and multiple personality disorders. ↗
Now I need to take a piece of wood and make it sound like the railroad track, but I also had to make it beautiful and lovable so that a person playing it would think of it in terms of his mistress, a bartender, his wife, a good psychiatrist - whatever. ↗