#literary

Madly, futilely, I wrote novel after novel, eight in all, that failed to find a publisher. I persisted because for me the novel was the supreme literary form - not just one among many, not a relic of the past, but the way we communicate to one another the subtlest truths about this business of living. ↗

— William Nicholson

#after #among #another #because #business

No one in my family was a reader of literary fiction. So, I didn't have encouragement, but I didn't have discouragement, because I don't think anybody knew what that meant. ↗

— Amy Tan

#because #discouragement #encouragement #family #fiction

To Jana's mind everybody seemed happy to see BAbichka and resisted returning her, like a misplaced package sent to the wrong address. It was as if the recipient opened it up, knowing it should be returned, but wondering who long they could legitimately keep it before being changed with theft. ↗

— F.C. Malby

#literary-fiction #change

Some Critics on the Hearth are not only good-natured, but have rather too high, or, if that is impossible, let us say too pronounced, an opinion of the abilities of their literary friends. ↗

— James Payn

#friends #good-natured #hearth #high #impossible

In the humanist world following Erasmus, man is at the centre of the universe. Man becomes largely responsible for his own destiny, behaviour and future. This is the new current of thought which finds its manifestation in the writing of the 1590s and the decades which follow. The euphoria of Elizabeth's global affirmation of authority was undermined in these years by intimations of mortality: in 1590 she was 57 years old. No one could tell how much longer her golden age would last; hence, in part, Spenser's attempts to analyse and encapsulate that glory in an epic of the age. This concern about the death of a monarch who - as Gloriana, the Virgin Queen - was both symbol and totem, underscores the deeper realisation that mortality is central to life. After the Reformation, the certainties of heaven and hell were less clear, more debatable, more uncertain. ↗

— Ronald Carter

#age

Few poets better convey the uneasy transition from Victorianism to Modernism than Thomas Hardy. His novels, written between 1870 and 1895, made him not only the recorder of his distinctive region of 'Wessex', but the explorer of the transition of lives and minds from the age of traditional values and religious certainties to the age of godlessness and modern tragedy, a transition sometimes described as 'the clash of the modern'. ↗

— Ronald Carter

#age

A literary creation can appeal to us in all sorts of ways-by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art. It is the presence of art in Crime and Punishment that moves us deeply rather than the story of Raskolnikov's crime. ↗

— Boris Pasternak

#art

There is a remarkable degree of consistency in the way mediaeval literature affirms humanity. With all its faults, humanity emerges as more realistic than heavenly ideals. ...... Because the mediaeval period is seen from our own times as historically distant, 'behind' the Renaissance with all the changes which that period brought, it has been undervalued for its own debates, developments and changes. The fact that mediaeval times have been revisited, re-imagined and rewritten, especially in the Romantic period, has tended to compound the ideas of difference and distance between this age and what came after. But in many ways the mediaeval period presages the issues and concerns of the Renaissance period and prepares the way for what was to come. ↗

— Ronald Carter

#age

The Special Operations Network was instigated to handle policing duties considered either too unusual or too specialized to be tackled by the regular force. There were thirty departments in all, starting at the more mundane Neighborly Disputes (SO-30) and going onto Literary Detectives (SO-27) and Art Crime (SO-24). Anything below SO-20 was restricted information, although it was common knowledge that the ChronoGuard was SO-12 and Antiterrorism SO-9. It is rumored that SO-1 was the department that polices the SpecOps themselves. Quite what the others do is anyone's guess. What is known is that the individual operatives themselves are mostly ex-military or ex-police and slightly unbalanced. 'If you want to be a SpecOp,' the saying goes, 'act kinda weird... ↗

— Jasper Fforde

#art #crime #detectives #literary #military

Unfortunately, these days, 'literary' writing seems to have become synonymous with 'showy' writing, writing that is beautiful but doesn't tell a story. This is a misguided trend. If today's 'literary' writers would look back only one or two hundred years at real literary writers like Dostoyevsky, Poe, Conrad, Melville, they would find momentous stories--not just pretty writing--at the core of almost all of their great works. ↗

— Noah Lukeman

#literary-writing #pretty-writing #beauty