No subscription or hidden extras
Read through the most famous quotes by topic #literature
Βλέπεις όμως, Ισμηνάκι μου, η ελευθερία είναι πιο δυνατή από την αγάπη, γιατί η αγάπη είναι κόρη της. Είναι ο καθρέφτης της, οι δυο όψεις της ζωής, που έλκονται και απωθούνται, όπως θα έλεγε και ο Αρχιτέκτονας στη γλώσσα της επιστήμης. Γιατί αγάπη χωρίς ελευθερία είναι φωτιά χωρίς ανάσα, και ελευθερία χωρίς αγάπη είναι μοναξιά του κερατά. Έτσι, αγάπη που περιορίζει την ελευθερία, γεννά την αγάπη για την ελευθερία. "Αυτό το παιχνίδι δίνει το ρυθμό του κόσμου", όπως μου 'λεγε τις προάλλες ο Φιλόσοφος. ↗
I've always felt that the performance of a raag resembles a novel - or at least the kind of novel I'm attempting to write. You know,' he continued, extemporizing as he went along, 'first you take one note and explore it for a while, then another to discover its possibilities, then perhaps you get to the dominant, and pause for a bit, and it's only gradually that the phrases begin to form and the table joins in with the beat...and then the more brilliant improvisations and diversions begin, with the main theme returning from time to time, and finally it all speeds up, and the excitement increases to a climax. ↗
We are not native. We have no generations of Americans behind us. We have roots elsewhere. We are looking in from the outside. To me, that seems to be perfectly natural. ↗
We can sum up the surrealist distinction between 'literature' and 'poetry' by saying where the former is artificial, fictive and elusive, the latter is natural, real, direct and spontaneous. ↗
It hadn’t always been this way, that’s a cliché, but it is a cliché for a reason. It’s not like anyone starts a relationship with nothing to say to the other person. No-one wants to feel like a complete stranger and live together because it’s easier than trying to remember who owns the copy of Almost Famous – which was mine by the way. ↗
She had thought of literature all these years (her seclusion, her rank, her sex must be her excuse) as something wild as the wind, hot as fire, swift as lightning; something errant, incalculable, abrupt, and behold, literature was an elderly gentleman in a grey suit talking about duchesses… Orlando then came to the conclusion (opening half-a-dozen books)…that it would be impolitic in the extreme to wrap a ten-pound note round the sugar tongs when Miss Christina Rossetti came to tea…next (here were half-a-dozen invitations to celebrate centenaries by dining) that literature since it all these dinners must be growing very corpulent; next (she was invited to a score of lectures on the Influence of this upon that; the Classical revival; the Romantic survival, and other titles of the same engaging kind) that literature since it listened to all these lectures must be growing very dry; next (here she attended a reception given by a peeress) that literature since it wore all those fur tippets must be growing very respectable; next (here she visited Carlyle’s sound-proof room at Chelsea) that genius since it needed all this coddling must be growing very delicate… ↗
Upon the publication of Goethe’s epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy. ↗
