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One of the things I particularly enjoyed doing was taking raw sound from locations during the film, like the candy machine, and writing pieces of music to go with them, which is totally unnecessary within the context of the film, because they have their own logic. ↗
This is actually true of the overall fight against al-Qaeda and trans-national extremists, that as you put pressure on them in one location, they'll seek safe haven sanctuaries in other areas. So you do have to continue to pursue them. But they have less capability. ↗
