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#lore

Read through the most famous quotes by topic #lore




I believe there are so many other disciplines and themes that we still haven't explored yet. It's infinite what we can apply our creativity to. ↗


— Guy Laliberte


#believe #creativity #disciplines #explored #haven

We're not afraid of risking what was our success yesterday in order to explore some new field. We're adventurous. We like the challenge of unknown territory, unknown artistic field, and that's what stimulates us. ↗


— Guy Laliberte


#afraid #artistic #challenge #explore #field

Neither does man have gills for living in a water environment; yet it is not sinful to explore the depths of the oceans in search of food or other blessings. ↗


— Walter Lang


#depths #does #environment #explore #food

Nevertheless, the realization that breaking a pencil point would have far less disastrous consequences played little or no role, I believe, in this decision to explore theory! ↗


— Rudolph A. Marcus


#breaking #consequences #decision #disastrous #explore

We all become great explorers during our first few days in a new city, or a new love affair. ↗


— Mignon McLaughlin


#become #city #days #during #explorers

That statement was not addressed to the authors of political statements. I said that I deplore attempts to misinform the public and to /trigger/ political intervention. And there were such attempts. ↗


— Mario Monti


#attempts #authors #deplore #i #intervention

Music, I think, is best when it honestly explores personal demons, and it stirs around in the silt of the psyche to find out what's really there. ↗


— Tom Morello


#best #demons #explores #find #honestly

A book is the only place in which you can examine a fragile thought without breaking it, or explore an explosive idea without fear it will go off in your face. It is one of the few havens remaining where a man's mind can get both provocation and privacy. ↗


— Edward P. Morgan


#both #breaking #examine #explore #explosive

It was a sort of car that seemed to have a faculty for motion with an absolute lack of any accompanying sound whatsoever. This was probably illusory; it must have been, internal combustion engines being what they are, tires being what they are, brakes and gears being what they are, even raspy street-surfacing being what it is. Yet the illusion outside the hotel entrance was a complete one. Just as there are silencers that, when affixed to automatic hand-weapons, deaden their reports, so it was as if this whole massive car body were encased in something of that sort. For, first, there was nothing out there, nothing in sight there. Then, as though the street-bed were water and this bulky black shape were a grotesque gondola, it came floating up out of the darkness from nowhere. And then suddenly, still with no sound whatsoever, there it was at a halt, in position. It was like a ghost-car in every attribute but the visual one. In its trancelike approach and halt, in its lightlessness, in its enshrouded interior, which made it impossible to determine (at least without lowering one's head directly outside the windows and peering in at nose-tip range) if it were even occupied at all, and if so by whom and by how many. You could visualize it scuttling fleetly along some overshadowed country lane at dead of night, lightless, inscrutable, unidentifiable, to halt perhaps beside some inky grove of trees, linger there awhile undetected, then glide on again, its unaccountable errand accomplished without witness, without aftermath. A goblin-car that in an earlier age would have fed folklore and rural legend. Or, in the city, you could visualize it sliding stealthily along some warehouse-blacked back alley, curving and squirming in its terrible silence, then, as it neared the mouth and would have emerged, creeping to a stop and lying there in wait, unguessed in the gloom. Lying here in wait for long hours, like some huge metal-cased predatory animal, waiting to pounce on its prey. Sudden, sharp yellow spurts of fangs, and then to whirl and slink back into anonymity the way it came, leaving the carcass of its prey huddled there and dead. Who was there to know? Who was there to tell? ("The Number's Up") ↗


— Cornell Woolrich


#car #folklore #ghost-car #noir #age

It was a good place for getting lost in, a city no one ever knew, a city explored from the neutral heart outward, until after many years, it defined itself into a jumble of clearings separated by stretches of the unknown, through which the narrowest of paths had been cut. ↗


— V. S. Naipaul


#been #city #cut #defined #ever






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