#lynch

Part of the reason I actually preferred Twin Peaks's second season to its first was the fascinating spectacle of watching a narrative structure disintegrate and a narrative artist freeze up and try to shuck and jive when the plot reached a point where his own weaknesses as an artist were going to be exposed (just imagine the fear: this disintegration was happening on national TV). ↗

— David Foster Wallace

#david-lynch-keeps-his-head #twin-peaks #imagination

If Southern white men are not careful, they will overreach themselves and public sentiment will have a reaction; a conclusion will then be reached which will be very damaging to the moral reputation of their women. ↗

— Ida B. Wells-Barnett

#interracial-interactions #lynching #men

And we hate this possibility in movies; we hate this "both" shit. "Both" comes off as sloppy characterization, muddy filmmaking, lack of focus. ... But I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from. ↗

— David Foster Wallace

#film #movies

In a way, what Tarantino has done with the French New Wave and with David Lynch is what Pat Boone did with rhythm and blues: He's found (ingeniously) a way to take what is ragged and distinctive and menacing about their work and homogenize it, churn it until it's smooth and cool and hygienic enough for mass consumption. Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i.e., fast, linear, and with what was idiosyncratically surreal now made fashionably (i.e., "hiply") surreal [...] D. Lynch is an exponentially better filmmaker than Q. Tarantino. For, unlike Tarantino, D. Lynch knows that an act of violence in an American film has, through repetition and desensitization, lost the ability to refer to anything but itself. A better way to put what I just tried to say: Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear. ↗

— David Foster Wallace

#david-foster-wallace #david-lynch #film #muzak #quentin-tarantino

Every argument on lynching in the South gets back sooner or later to the question of rape. ↗

— Ray Stannard Baker

#back #every #gets #later #lynching

I wanted to go to Jupiter. That was my plan from day one, and David Lynch gave me the ticket. ↗

— Laura Dern

#david lynch #day #gave #go #i

You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff. ↗

— Danny Elfman

#cold #cronenberg #david #directors #films

No I didn't audition, I didn't even know David Lynch till the week before I started the film. ↗

— Richard Farnsworth

#before #david #david lynch #even #film

David Lynch was very good, very patient with us, and the reaction in the United States seems pretty good. ↗

— Richard Farnsworth

#david lynch #good #lynch #patient #pretty

It's a strange world, as David Lynch would say. ↗

— Laura Dern

#david lynch #lynch #say #strange #strange world