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Reading his autobiography many years later, I was astonished to find that Edward since boyhood had—not unlike Isaiah Berlin—often felt himself ungainly and ill-favored and awkward in bearing. He had always seemed to me quite the reverse: a touch dandyish perhaps but—as the saying goes—perfectly secure in his masculinity. On one occasion, after lunch in Georgetown, he took me with him to a renowned local tobacconist and asked to do something I had never witnessed before: 'try on' a pipe. In case you ever wish to do this, here is the form: a solemn assistant produces a plastic envelope and fits it over the amber or ivory mouthpiece. You then clamp your teeth down to feel if the 'fit' and weight are easy to your jaw. If not, then repeat with various stems until your browsing is complete. In those days I could have inhaled ten cigarettes and drunk three Tanqueray martinis in the time spent on such flaneur flippancy, but I admired the commitment to smoking nonetheless. Taking coffee with him once in a shopping mall in Stanford, I saw him suddenly register something over my shoulder. It was a ladies' dress shop. He excused himself and dashed in, to emerge soon after with some fashionable and costly looking bags. 'Mariam,' he said as if by way of explanation, 'has never worn anything that I have not bought for her.' On another occasion in Manhattan, after acting as a magnificent, encyclopedic guide around the gorgeous Andalusia (Al-Andalus) exhibition at the Museum of Modern Art, he was giving lunch to Carol and to me when she noticed that her purse had been lost or stolen. At once, he was at her service, not only suggesting shops in the vicinity where a replacement might be found, but also offering to be her guide and advisor until she had selected a suitable new sac à main. I could no more have proposed myself for such an expedition than suggested myself as a cosmonaut, so what this says about my own heterosexual confidence I leave to others. ↗
#autobiography #carol-blue #edward-said #georgetown-washington #heterosexuality
... I find myself most drawn to: art that has arisen from a deeply personal conversation between the artist and the work at hand. It is art that walks perilously close to the Edge, that crosses the river of blood into Faerie, that flies so high it is scorched by the sun, and then returns to tell the tale to us. It is art that needed to be written, or painted, or sung, or woven, or otherwise shaped. It is art gifted by the Mystery to the maker...and then, in turn, gifted to us. ↗
People today are trying to hang on to the dignity of man, but they do not know how to, because they have lost the truth that man is made in the image of God. . . . We are watching our culture put into effect the fact that when you tell men long enough that they are machines, it soon begins to show in their actions. You see it in our whole culture -- in the theater of cruelty, in the violence in the streets, in the death of man in art and life. ↗
je dis civilisé le peuple qui compose ses danses, malgré qu'il ne soit pour les danses ni récolte ni greniers. Alors que je dis brut le peuple qui aligne sur ses étagères des objets, fussent-ils les plus fins, nés du travail d'autrui, même s'il se montre capable de s'enivrer de leur perfection. "L'homme, disait mon père, c'est d'abord celui qui crée. Et seuls sont frères les hommes qui collaborent. Et seuls vivent ceux qui n'ont point trouvé leur paix dans les provisions qu'ils avaient faites." (chapitre IX) ↗
Wir sind das Volk!" Dieser Satz hat uns gelehrt, dass wir, wenn wir unserer Sehnsucht glauben und ihr vertrauen, die Angst verlieren können. Eine Angst, die willfährige Dienerin jeder Art von nicht legitimierter Herrschaft ist, die uns ohnmächtig macht, die uns bindet. In dem Augenblick aber, in dem wir unsere Angst als Angst benennen und Anpassung und Angst als Geschwisterkinder erkennen, sind wir möglicherweise bereit zu erproben: Können wir auch ohne sie leben? In genau diesem Augenblick wachsen uns jene Kräfte zu, die eine ganze Gesellschaft verändern können. ↗
#civil-rights #courage #democracy #dictatorship #empowerment
Speed is not always a constituent to great work, the process of creation should be given time and thought. ↗
#artists #arts-and-humanities #creation #creative-process #creative-work
