But it was also the best mistake I've ever made, because what it did was hopefully allow a whole new generation to make up their own minds about Scientology and for that I make no apology. ↗
I get mad at people who talk about traumatic job interviews, about going on one and getting rejected. I get rejected all the time and not only do I get rejected, but people have no problem being really specific about why I was rejected. ↗
I think one of the basic tasks in life - one of the nice things we can do for each other - is to take things that are horrible and scary and make them acceptable and less frightening and, if possible, funny. It feels great to succeed at that. ↗
I used to think no one should go into show biz, but now I feel differently. I now feel like it's a great career. If you can do it and make money at it and still not be so famous that you can have a normal life - then I think it's a great career. ↗
First off, I don't want anyone to think I'm this huge thing in Japan. Every group from here that's made any records over any length of time - even indie bands - have a Cheap Trick effect in Japan. ↗
I have more perspective now, and am happier now. It's not that I don't want success, but I now know I can have success at a lower level and make much more money doing it by myself. I make $6 or $7 bucks a record vs. nothing off those other records. ↗
It wasn't so much that I had to leave to make it in the music business as I was curious to be out on my own and sort of explore. I never felt that where I was ever influenced my songwriting. ↗
