No subscription or hidden extras
Read through the most famous quotes by topic #margaret
Jen's Mum Will Write Jen's mum writes advertising copy. She specializes in white goods: washing machines, dryers, fridges, freezers, dishwashers. She hates these appliances hulking in corners, power-hungry and fractious. One day, she will have a wood stove, and she'll write about things that matter- she will write about birth and death, about love and the absence of love, about fathers and children, about mothers and daughters, about lovers and friends. She'll write about the whole goddamn wonderful, awful business of loving and being loved ↗
If this were a proper world, beautiful faces would belong to beautiful people. Good people with kind hearts and clever minds would always have bright eyes and dazzling smiles, and bad people would have scraggly hair and warty noses. That way if you saw one of them coming, you could cross to the other side of the street and avoid them altogether. But this is not a proper world. In our world, many bad people look quite nice, and many good people are not beautiful at all. Many good people aren't pretty or cute or even interesting-looking. ↗
#imagination #inner-beauty #margaret-and-the-moth-tree #novel #people
Thirty years ago [written 2009], over-regulation, over-taxation, mis-regulation, statism, state corporatism, and economic folly, cosiness and regulatory capture, and a crescent ideological enemy without, who were assisted by enemies – both fifth columnists and useful fools – within, had led to a crisis of confidence in the West, and in all lands that – and amongst all peoples, particularly those who were oppressed in their own lands, who – loved and desired liberty. Of course, thirty years ago, Britain had Margaret Thatcher to turn to. ↗
Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn. ↗
Be quiet, Ash. I am trying to remember you.” In the lamplight, shadows collected on his face as his eyebrows drew down. He must have taken her meaning, because he shook his head. “Well. I am trying to have you.” His voice was fiercely possessive. “Not for one night, nor even two. I want you every evening—mine outright, not a few hours stolen here or there. I want you during the day, on my arm. I want to know that when we’re apart you’re missing me; I want to know when we’re together, I’m the one who puts the smile on your face.” He punctuated each phrase with a kiss—against her chin, the line of her jaw, the hollow of her neck. ↗
#love
Stand at the top of a cliff and jump off and build your wings on the way down." RAY BRADBURY ↗
#inspiration #margaret-langstaff #risk #writing #imagination
