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Read through the most famous quotes by topic #memo
I shall remain thankful to you for the tenderness of your arms that held me when I wept onto your shoulder, and that held me throughout that winter, after every bicycle accident and every B minus. I discovered Bulbul that you could make everything all right, by blowing softly over scraped knees… but one such winter day, by which time our childhood heroes had become older men with ordinary problems, I might’ve confessed to being in love with you and you, in a moment of ruthless propriety, had pretended not to hear.’ ('Left from Dhakeshwari') ↗
Sometimes I feel she hasn't left...especially when I wear the photo charm necklace with her picture in it. I can't tell you how many young men have stared into that picture and the reaction is always the same: a slow beam rises across their faces and they want to know all about her. They become entranced the way Dana Andrews did when he first saw Gene Tierney's portrait in "Laura." I know Maria finds all of this quite amusing; why shouldn't she? 'Laura' is her middle name. ↗
He knew all the stories. His grandfather had given them to him when he sat between the old man’s knees as a child. It was a comfort, though, to hear them again. To call them to mind. All these stories that made him more than just a vintner and more than just a man who carried a spear whom other men were willing to follow. More than just a man who lay dying. The stories made him one of the People, who would never die. ↗
Your childhood," said Yackle coaxingly, as if she could smell his thoughts. As if she could sniff out those passages he hadn't chosen to retail at drink parties. Her words lulled him. The past, even a bitter past, is usually more pungent than the present, or at least better organized in the mind. ↗
...the very old men [...] believing that they had danced with her and courted her perhaps, confusing time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottle-neck of the most recent decade of years. ↗
I became skilled at covering my tracks, filling in the blanks. Sometimes the blanks were never filled. At other times, I would recall places where I had been or things I had done as if from a dream, which made the playback of my father and other men abusing me seem I even less real, fantasies conjured up from my imagination I not my memory. Perhaps somebody else’s memory. I didn’t think of myself as having mental-health problems. You don’t at sixteen. I thought of myself as being special, highly strung, moody. ↗
#amnesia #dissociation #dissociative #dissociative-identity-disorder #incest
Mostly what you lose with time, in memory, is the specificity of things, their exact sequence. It all runs together, becomes a watery soup. Portmanteau days, imploded years. Like a bad actor, memory always goes for effect, abjuring motivation, consistency, good sense. ↗
It follows that the one thing we should not do to the men and women of past time, and particularly if they ghost through to us as larger than life, is to take them out of their historical contexts. To do so is to run the risk of turning them into monsters, whom we can denounce for our (frequently political) motives—an insidious game, because we are condemning in their make-up that which is likely to belong to a whole social world, the world that helped to fashion them and that is deviously reflected or distorted in them. Censure of this sort is the work of petty moralists and propagandists, not historians (p. 5). ↗
