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The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues. ... [But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings. ↗
Anyone else feel like that? Like your life's a big act. Like you're trying to be a man when you're just a scared kid, trying to keep under control when you really want to scream, cry, maybe hit someone. Ever feel like you're breathing underwater, and you have to stop because you're gulping in too much fluid? ↗
Every life is inexplicable, I kept telling myself. No matter how many facts are told, no matter how many details are given, the essential thing resists telling. To say that so and so was born here and went there, that he did this and did that, that he married this woman and had these children, that he lived, that he died, that he left behind these books or this battle or that bridge – none of that tells us very much. ↗
Don't live by my words, don't die by them, chew them slowly digest them, and smile if they give nourishment to your soul. ↗
A sematary," I say. "A what?" Viola says, looking round at all the square stones marking out their graves. Must be a hundred, maybe two, in orderly rows and well-kept grass. Settler life is hard and it's short and lotsa New World people have lost the battle. "It's a place for burying dead folk," I say. Her eyes widen. "A place for doing what?" "Don't people die in space?" I ask. "Yeah," she says. "But we burn them. We don't put them in holes." She crosses her arms around herself, mouth and forehead frowning, peering around at the graves. "How can this be sanitary? ↗
Passion presented with a greater challenge achieves a greater goal. -- from The Sexual Side of Spirituality ↗
