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Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do. I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason. And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every hawk and gillyflower ... oh, I don't even know what I'm talking about half the time. I just run with it, creating some of the SEMINAL TOURS DE FORCE OF THE ENGLISH LANGUAGE. You're welcome. ↗
The full moon was rising, looking huge and pale, the black spots appearing like a wise man smiling. The moon followed me while houses, cars, lands and trees disappeared blindly onto the tracks. It seemed like a very slow moon, considering the landscapes beneath it were constantly disappearing. ↗
They'd fallen into an easy routine, the three of them. Breakfast together in the morning, then Hughie would leave for work and she and Nell would get started in the house. Lil found she liked having a second shadow, enjoyed showing Nell things, explaining how they worked and why. Nell was a big one for asking why-why did the sun hide at night, why didn't the fire flames leap out of the gate, why didn't the river get bored and run the other way?-and Lil loved supplying answers, watching as understanding dawned on Nell's little face. For the first time in her life, Lil felt useful, needed, whole. ↗
If the gooseberry said: 'I haven't the heart to be a real proper gooseberry because if everyone were a gooseberry the world wouldn't continue to exist' this would be a stupid argument and the world would be deprived of a useful fruit. If you are called upon to be a 'gooseberry' in all the senses--pleasant or ludicrous--of the word, you should be one with all your heart and soul, without a backward glance. ↗
Kadehlerimizi tokuşturup rakılarımızı yudumladık. "Fezai Bey sevgilimin uzaylı olduğunu iddia ediyor," dedim. "Bütün kadınlar öyledir," dedi Kız Tevfik. "Seninki hariç," dedi Tahtakafa. "Seninki, bildiğin orospu." "Uzaylı orospu olmaz diye bir kanun mu var?" şeklinde beklemediğim derecede sakin bir karşılık verdi Kız Tevfik, Bafra'nın dumanını efkârla üflerken. "Ne yapsın? Kader kurbanı işte. ↗
