#moby

In life, the visible surface of the Sperm Whale is not the least among the many marvels he presents. Almost invariably it is all over obliquely crossed and re-crossed with numberless straight marks in thick array, something like those in the finest Italian line engravings. But these marks do not seem to be impressed upon the isinglass substance above mentioned, but seem to be seen through it, as if they were engraved upon the body itself. Nor is this all. In some instances, to the quick, observant eye, those linear marks, as in a veritable engraving, but afford the ground for far other delineations. These are hieroglyphical; that is, if you call those mysterious cyphers on the walls of pyramids hieroglyphics, then that is the proper word to use in the present connexion. By my retentive memory of the hieroglyphics upon one Sperm Whale in particular, I was much struck with a plate representing the old Indian characters chiselled on the famous hieroglyphic palisades on the banks of the Upper Mississippi. Like those mystic rocks, too, the mystic-marked whale remains undecipherable. ↗

— Herman Melville

#moby-dick #whale #whales #life

What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapors among mild white hairs, not among torn iron-grey locks like mine. I'll smoke no more. ↗

— Herman Melville

#the-pipe #business

I try all things, I achieve what I can. ↗

— Herman Melville

#achievement

You could use a moth like that as a symbol in a novel, but it was trite, wasn’t it? The old moth-to-the-flame image had been used and used again. It was the stuff of amateur poetry. And she, having so little experience crafting a story, would be the most in danger of falling into trite approaches. If she wrote a novel, it probably would be about her father. And the male Luna moth would haunt its pages. Everyone would recognize the work as that of a first novelist. “She wrote about herself through the lens of her father.” The really good novelists, Laura thought, put their fathers, and maybe their mothers too, deeper into the stories. Which, she suddenly thought, might redeem Melville just the littlest bit. ↗

— L.L. Barkat

#moby-dick #novel-writing #writers #writing #experience

Well . . . he lets it ruin his life. He gets so obsessed with going after the one thing that hurt him that he loses sight of everything else. He becomes isolated from everyone and everything. Paranoid. He feels like he can't trust anyone around him ever. In the end, he loses everything, even his life. And for what? Total stupidity, if you ask me. ↗

— Sherrilyn Kenyon

#nick-gautier #life

here are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody's expense but his own. ↗

— Herman Melville

#life

What do ye do when ye see a whale, men?” “Sing out for him!” was the impulsive rejoinder from a score of clubbed voices. “Good!” cried Ahab, with a wild approval in his tones; observing the hearty animation into which his unexpected question had so magnetically thrown them. “And what do ye next, men?” “Lower away, and after him!” “And what tune is it ye pull to, men?” “A dead whale or a stove boat! ↗

— Herman Melville

#men

Most action is based on redemption and revenge, and that's a formula. Moby Dick was formula. It's how you get to the conclusion that makes it interesting. ↗

— Sylvester Stallone

#based #conclusion #formula #get #how

Many, many of my paintings have come from the first chapter of Moby Dick. ↗

— Robert Indiana

#come #first #many #moby #moby dick

Start her, now; give 'em the long and strong stroke, Tashtego. Start her, Tash, my boy--start her, all; but keep cool, keep cool--cucumbers is the word--easy, easy--only start her like grim death and grinning devils, and raise the buried dead perpendicular out of their graves, boys--that's all. Start her! ↗

— Herman Melville

#moby-dick #death