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Read through the most famous quotes by topic #oman
Jaime, dear, forgive me, but I don't think you are man enough to take care of my Cass. She's a special kind of difficult. ↗
Tell me something, princess, if I make a liar out of you…will you forgive me?” Hex James, Hex upon Me ↗
Just as abruptly, he'd become a father. While preparing the book for publication, he'd been dating a woman named Sarah Coowe, an infectious-disease specialist at MGH. They were evenly matched in many ways: sharp-dressed, sharp-tongued, and devoted to their careers and personal freedoms to the exclusion of any serious interest in so-called romance. They spent ten months together. A few weeks after they broke up -- Sarah initiated the split -- she called to say that she was pregnant. "It's mine?" asked Affenlight. "He or she," replied Sarah, "is mostly mine." They named the child Pella -- that was Affenlight's idea, though Sarah certainly had the final say. For those first couple of years, Affenlight conspired as often as he could to show up at Sarah and Pella's Kendall Square townhouse with expensive takeout and a new toy. He was fascinated with his daughter, with the sheer reality of her, a beautiful something where before there'd been nothing. He hated kissing her good-bye; and yet he relished, couldn't keep himself from relishing, the total quiet of his townhouse when he walked in, the scattered books and papers and lack of baby-proofing. ↗
Quid nomen tibi est? She was not about to offer her name up to a stranger. It was almost the only thing she possessed that nobody had stolen. ↗
#self-possession #self-worth #strength-of-a-woman #strength-through-adversity #freedom
In real life women often complain about the reluctance of their male partners to engage in meaningful dialogue, but in the world of romantic fantasy heroes willingly participate in verbal discussions. They fence, they flirt, they express their anger, they talk out the confounding details of their relationships with the heroine. No hero of romance will ever respond to the eternal feminine query, "What's wrong?" with the word, "Nothing." He will tell her what's wrong; they will argue about it, perhaps, but they will be communicating, and eventually, as they resolve their various conflicts, the war of words will end. One of the most significant victories the heroine achieves at the close of the novel is that the hero is able to express his love for her not only physically but also verbally. ↗
It would be mortifying to the feelings of many ladies, could they be made to understand how little the heart of a man is affected by what is costly or new in their attire... Woman is fine for her own satisfaction alone. No man will admire her the more, no woman will like her the better for it. Neatness and fashion are enough for the former, and a something of shabbiness or impropriety will be most endearing to the latter. ↗
Nothing is more curious and awkward than the relationship of two people who only know each other with their eyes — who meet and observe each other daily, even hourly and who keep up the impression of disinterest either because of morals or because of a mental abnormality. Between them there is listlessness and pent-up curiosity, the hysteria of an unsatisfied, unnaturally suppressed need for communion and also a kind of tense respect. Because man loves and honors man as long as he is not able to judge him, and desire is a product of lacking knowledge. ↗
After their encounter on the approach to Jupiter, there would aways be a secret bond between them---not of love, but of tenderness, which is often more enduring. ↗
