#on

I've had a lot of different responses to my films. I got a lot of support from 'The Piano,' the obvious one, but it feels like an ocean, with a lot going on - the goal is to keep alive. ↗

— Jane Campion

#different #feels #films #goal #going

It's a luxury to be able to tell a long form story. I love novels, and I love to have a long relationship with characters. ↗

— Jane Campion

#characters #form #i #i love #long

Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose. ↗

— Jane Campion

#environment #fail #frightened #home #humiliation

Everything about the left is perception, manipulation, and lies. Everything. Everything is 'Wag the Dog.' Everything is a structured deception. ↗

— Rush Limbaugh

#deception #dog #everything #left #lies

So many actors are not open in front of the camera - they have a persona. ↗

— Jane Campion

#front #many #open #persona

'The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative. ↗

— Jane Campion

#adult #attempted #big #complex #easily

There are some things that are real, that you can see, that you can observe, like the moon, and grass and things. But for ideas to become real, they have to be played on your senses. ↗

— Jane Campion

#grass #ideas #like #moon #observe

There was a big drive when I was at art school to make you aware of the economy of meaning - after all, this was still during the tail end of minimalism. Being responsible for everything you put in your picture, and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean. ↗

— Jane Campion

#after #around #art #art school #aware

Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object. ↗

— Albert Camus

#blinds #contrary #enhances #every #falsehood

There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not surprised that a lot of people pulled it apart in a way. ↗

— Jane Campion

#artist #bad #difficult #dream #enjoy