#or

Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic. ↗

— Anish Kapoor

#artists #changed #exotic #last #learned

Much of what I make is geometric, and has a kind of almost mathematical logic to the form. ↗

— Anish Kapoor

#form #geometric #i #kind #logic

My work is not about my life history. It's not about the story of my neurosis. ↗

— Anish Kapoor

#history #life #my life #neurosis #story

One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space? ↗

— Anish Kapoor

#contemporary #fuzzy #iconography #make #out

One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury. ↗

— Anish Kapoor

#afford #all day #come #day #does

One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author. ↗

— Anish Kapoor

#author #come #contemporary #currents #experience

Re-investing in one's own little moments of insight is very important. ↗

— Anish Kapoor

#insight #little #moments #own #very

Red, of course, is the colour of the interior of our bodies. In a way it's inside out, red. ↗

— Anish Kapoor

#colour #course #inside #interior #our

A woman always has her man, but the man unconsciously leans on his roots, his heritage. He feels like an orphan without his parents. ↗

— Raj Kapoor

#feels #her #heritage #his #leans

I think we brothers realised his loss more and more as we grew older. We actually grew closer after his death. ↗

— Raj Kapoor

#after #brothers #closer #death #grew