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I believe that the great stretches of forests in northern Europe, with their constant seasonal changes, their restricted views, their astonish biological diversity, their secret gifts and perils and the knowledge that you have to go through them to get anywhere else, created the themes and ethics of the fairy tales we know best. There are secrets, hidden identities, cunning disguises; there are rhythms of change like the changes of the seasons; there are characters, both human and animal, whose assistance can be earned or spurned; and there is -- over and over again -- the journey or quest, which leads first to knowledge and then to happiness. The forest is the place of trial in fairy stories, both dangerous and exciting. Coming to terms with the forest, surviving its terrors, utilising its gifts and gaining its help is the way to 'happy ever after. ↗


— Sara Maitland


#nature #change

Chang-bo took to his bed, or rather to the quilts on the floor that was all they had left. His legs swelled up like balloons with what Mrs. Song had come to recognize as edema — fluid retention brought on by starvation. He talked incessantly about food. He spoke of the tofu soups his mother made him as a child and an unusually delicious meal of steamed crab with ginger that Mrs. Song had cooked for him when they were newlyweds. He had an uncanny ability to remember details of dishes she had cooked decades earlier. He was sweetly sentimental, even romantic, when he spoke about their meals together. He would take her hand in his own, his eyes wet and cloudy with the mist of his memories. “Come, darling. Let’s go to a good restaurant and order a nice bottle of wine,” he told his wife one morning when they were stirring on the blankets. They hadn’t eaten in three days. Mrs. Song looked at her husband with alarm, worried that he was hallucinating. She ran out the door to the market, moving fast and forgetting all about the pain in her back. She was determined to steal, beg — whatever it took — to get some food for her husband. She spotted her older sister selling noodles. Her sister wasn’t faring well — her skin was flaked just like Chang-bo’s from malnutrition — so Mrs. Song had resisted asking her for help, but now she was desperate, and of course, her sister couldn’t refuse. “I’ll pay you back,” Mrs. Song promised as she ran back home, the adrenaline pumping her legs. Chang-bo was curled up on his side under the blanket. Mrs. Song called his name. When he didn’t respond, she went to turn him over — it wasn’t diffcult now that he had lost so much weight, but his legs and arms were stiff and got in the way. Mrs. Song pounded and pounded on his chest, screaming for help even as she knew it was too late. ↗


— Barbara Demick


#north-korean-famine #change

If you believe in the eighteenth century view of the mind, you will look and act wimpy. You will think that all you need to do is give people the facts and the figures and they will reach the right conclusion. You will think that all you need to do is point out where their interests lie, and they will act politically to maximize them. You will believe in polling and focus groups: you will believe that if you ask people what their interests are, they will be aware of them and will tell you, and will vote on it. You will not have any need to appeal to emotion---indeed, to do so would be wrong! You will not have to speak of values; facts and figures will suffice. You will not have to change people's brains; their reason should be enough. You will not have to frame the facts; they will speak for themselves. You just have to get the facts to them... ↗


— George Lakoff


#does-it-make-a-sound #george-lakeoff #humor-inspirational #humor-irony-death-zombie #life-and-living

The fact that the movement was carried on by women who, for the most part, had no money of their own and were totally inexperienced in organization, and that they won their fight in about two generations, makes a story often dramatic and always worth preserving. ↗


— Florence E. Allen


#always #carried #dramatic #fact #fight

So how long have you been together? Two months?' 'Five.' 'Five? Jesus, Steve, you might as well get married. I should buy a hat.' 'Don't. They give away your Spock ears.' She laughed. 'This is the Romanian girl?' 'Croatian.' 'Right. She's a painter?' 'Photographer.' 'Right.' She studied him. 'What?' he laughed self-consciously as though he was a twelve-year-old boy who'd just been caught with his first girlfriend. 'Nothing.' 'Come on.' 'I don't know Steve,' she cut into her meat, 'you've changed. You no longer write about Victoria Beckham and you have a girlfriend. I think...' 'You think what?' 'I don't know, I might be jumping the gun here, but I think there's a possibility you might not be gay after all.' A chip was hurled at her head. ↗


— Cecelia Ahern


#kitty-logan #relationship #restaurant #victoria-beckham #change

Those monkey-thumbs were meant for dogs. Give me my thumbs, you fu**ing monkeys! ↗


— Garth Stein


#art

Conservatism is far from what I’m aiming at in proclaiming the establishment of a Sethian left-hand path tradition in the West as one of the first missions of the SLM. In fact, in establishing such a tradition, true to the spirit of sacred transgression and holy subversion that is essential to both Seth and the left-hand path, we are opening a door that enlightens through endangerment, that awakens through risk and peril: this is a radical (from Latin radix, root, implying how deep a change is required) enterprise that is the very opposite of conservatism.” --“From the Eye of the Storm” (Zeena's column as Hemet-Neter Tepi Seth for the SLM), Volume I - Summer Solstice issue (2003): "Building a Sethian Left-Hand Path Tradition in the West. ↗


— Zeena Schreck


#beat-fear #gnostic #gnosticism #jivanmukta #left-hand-path

Why did Our Blessed Lord use bread and wine as the elements of this Memorial? First of all, because no two substances in nature better symbolize unity than bread and wine. As bread is made from a multiplicity of grains of wheat, and wine is made from a multiplicity of grapes, so the many who believe are one in Christ. Second, no two substances in nature have to suffer more to become what they are than bread and wine. Wheat has to pass through the rigors of winter, be ground beneath the Calvary of a mill, and then subjected to purging fire before it can become bread. Grapes in their turn must be subjected to the Gethsemane of a wine press and have their life crushed from them to become wine. Thus, do they symbolize the Passion and Sufferings of Christ, and the condition of Salvation, for Our Lord said unless we die to ourselves we cannot live in Him. A third reason is that there are no two substances in nature which have more traditionally nourished man than bread and wine. In bringing these elements to the altar, men are equivalently bringing themselves. When bread and wine are taken or consumed, they are changed into man's body and blood. But when He took bread and wine, He changed them into Himself. ↗


— Fulton J. Sheen


#communion #eucharist #mass #the-lord-s-table #change

Every time you win, you're reborn; when you lose, you die a little. ↗


— George Allen, Sr.


#every #every time #little #lose #reborn

How to read this book: Even after I was told my father was dead, I believed (I still believe) that I could fix everything- that if I logged enough miles in my VW and kept telling stories through the countless dead ends and breakdowns, I could undo the terrible tree events…not that I should have expected to with this particular power, which is incomplete (as I was forced to sell a few stories and procedures for time-of-money), full of holes. Sure, the book turns on, lights up; its fans whirr and the bookengine crunches. But some of the pages are completely blank; others hang by a thread. the book’s transmission is shot, too, so don’t’ be surprised if the book slips from one version to the next as you’re reading .Finally, the thermostat’s misked, so you should expect sudden changes in temperature, the pages might get cold, or it may begin to snow between paragraphs, or you may turn the page and get hit with a faceful of rain or blinding beams of sunlight. So go ahead. Do it-open the book. See? You see me, right? And I see you. See? I am reading your face, your eyes, your lips. I know the sufferdust on your brow. I can see you reading, and I can tell, too, when you are here, when you are absent, what you’ve read and how it affects you. There is no more hiding. I see your chords- your fratures, your cold gifts, where and when you’ve hurt people…your stories are written right there on your face! ↗


— Christopher Boucher


#healing #stories #change






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