No subscription or hidden extras
Read through the most famous quotes by topic #ow
I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village. I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print. When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting. I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland. [speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!] ↗
They set off through the soft lingering light. One cuckoo in the depths of Layer Wood and one in the dense shrubbery of the Dower House were keeping up their eternal question and answer, and in the comparative coolness which had come with the evening all the scents of summer had magnified." Norah Lofts ↗
It is eighteen years ago, almost to the day- A sunny day with the leaves just turning, The touch-lines new-ruled - since I watched you play Your first game of fotball, then, like a satellite Wrenched from its orbit, go drifting away Behind a scatter of boys. I can see You walking away from me towards the school with the pathos of a half-fledged thing set free Into a wilderness, the gait of one Who finds no path where the path should be. That hesitant figure, eddying away Like a winged seed loosened from its parent stem, Has something I never quite grasp to convey About nature's give-and-take - the small, the scorching Ordeals which fire one's irresolute clay. I had worse partings, but none that so Gnaws at my mind still. Perhaps it is roughly Saying what God alone could perfectly show- How selfhood begins with a walking away, And love proved in the letting go. ↗
#growing-up #love #parenthood #love
Oh, it is true enough. I may as well be hung for a sheep as a lamb (an old country saying, not of much account, but it will do for a rough soldier), and so I will speak my mind, regardless of your pleasure, and without hoping or intending to get your pardon. Why, Miss Everdene, it is in this manner that your good looks may do more harm than good in the world." The sergeant looked down the mead in critical abstraction. "Probably some one man on an average falls in love with each ordinary woman. She can marry him: he is content, and leads a useful life. Such women as you a hundred men always covet—your eyes will bewitch scores on scores into an unavailing fancy for you—you can only marry one of that many. Out of these say twenty will endeavour to drown the bitterness of despised love in drink; twenty more will mope away their lives without a wish or attempt to make a mark in he world, because they have no ambition apart from their attachment to you; twenty more—the susceptible person myself possibly among them—will be always draggling after you, getting where they may just see you, doing desperate things. Men are such constant fools! The rest may try to get over their passion with more or less success. But all these men will be saddened. And not only those ninety-nine men, but the ninety-nine women they might have married are saddened with them. There's my tale. That's why I say that a woman so charming as yourself, Miss Everdene, is hardly a blessing to her race. ↗
#love
Sniegam ir piecas pamatpazīmes. Tas ir balts. Tas sastindzina dabu un pasargā to. Tas nemitīgi pārvēršas. Tas ir slidens. Tas pārtop par ūdeni. Kad Juko par to ieminējās tēvam, viņš tajā saskatīja tikai negatīvo, it kā dēla dīvainā kaisle uz sniegu viņa acīs ziemas sezonu padarītu vēl biedējošāku. -Tas ir balts. Tātad neredzams un nav pelnījis būt redzams. Tas sastindzina dabu un pasargā to. Lepnais. Kas viņš tāds ir, lai apgalvotu, ka spēj sastindzināt pasauli? Tas nemitīgi pārvēršas. Tātad tas nav uzticams. Tas ir slidens. Kurš gan gūst baudu, paslīdot sniegā? Tas pārtop par ūdeni. Lai vairāk mūs appludinātu atkušņu laikā. Bet Juko savā sabiedrotajā saskatīja piecas citas īpašības, kas pilnībā apmierināja viņa māksliniecisko talantu. -Tas ir balts. Tātad sniegs ir dzeja. Neizsakāmas tīrības dzeja. Tas sastindzina dabu un pasargā to. Tātad sniegs ir glezna. Vissmalkākā ziemas glezna. Tas nemitīgi pārvēršas. Tātad sniegs ir kaligrāfija. Ir desmittūkstoš veidu, kā uzrakstīt vārdu sniegs. Tas ir slidens. Tātad sniegs ir deja. Uz sniega ikviens var sajusties kā virves dejotājs. Tas pārtop par ūdeni. Tātad sniegs ir mūzika. Pavasarī tas pārvērš upes un strautus baltu nošu simfonijās. -Sniegs Tev nozīmē to visu? - jautāja priesteris. -Vēl vairāk. ↗
#everything #love #snow #love
The Bible speaks of the Word of God as added. Sometimes it's planted by the wayside, and nothing grows there. Sometimes it's sown among the thorns and represents the person who makes the decision an then goes back to his old life of bars and chasing women or whatever. A third seed is sown among the rocks. There's sand and dirt between the rocks, and when it rains you'll see a stalk of green coming up. But on the first day with sunshine it wilts because there is no room for roots. The fourth seed is planted on fertile soil, and finally it takes hold and has a chance to grow and live. That's what happened to me. ↗
#christianity #god #grow #jesus-christ #love
I never knew the difference between loving someone and being in love,” he began. “I don’t know why, because now it seems so obvious. I mean, it’s in the name: in love. When you love someone that just means you care; but when you’re in love, that means you’re a part of it.” He scanned the audience and landed on Paxton and Jade holding hands in the third row. “The feeling consumes you,” he continued. “And when you’re surrounded by that want and that need to make that other person happy, you can’t see anything else. You’re blind to all of the hate and the hurt that’s waiting on the outside. None of it matters, because in here – in love – nothing hurts.” Larson watched as a drop of his own tears fell onto the surface in front of him. “I don’t care if I’m blind for the rest of my life. I loved Owen. I’m in love with him. And even though he’s gone, I’ll never leave this place we made. ↗
