#photo

I knew Marilyn over a two-year period. I met her first on a movie called 'Let's Make Love.' I photographed her at that time on and off through the time of her death. I was 22 years old and she was 34 or 35. ↗

— Lawrence Schiller

#death #first #her #i #knew

In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider coming to work for him. I was teaching photography in Southern California at that point. ↗

— John Sexton

#ansel #asking #california #call #coming

I'll see a photograph of a character and try to copy them on to my face. I think I'm really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are. ↗

— Cindy Sherman

#character #copy #face #how #i

There is a stage you reach, Deagle thinks, a time somewhere in early middle age, when your past ceases to be about yourself. Your connection to your former life is like a dream or delirium, and that person who you once were is merely a fond acquaintance, or a beloved character from a storybook. This is how memory becomes nostalgia. They are two very different things - the same way that a person is different from a photograph of a person. ↗

— Dan Chaon

#nostalgia #photograph #age

Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk. ↗

— Edward Weston

#composition #consulting #going #gravity #laws

I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part. ↗

— Kim Weston

#always #classic #deciding #how #i

I think all photographers fit their vision to their personality. ↗

— Kim Weston

#i #i think #personality #photographers #their

It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us. ↗

— Ian Mcewan

#mortality #photography #change

Photographs don’t discriminate between the living and the dead. In the fragments of time and shards of light that compose them, everyone is equal. Now you see us; now you don’t. It doesn’t matter whether you look through a camera lens and press the shutter. It doesn’t even matter whether you open your eyes or close them. The pictures are always there. And so are the people in them. ↗

— Robert Goddard

#photography #time #equality

It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again. ↗

— Alan Moore

#fiction #photographs #time #funny