I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stupid. ↗
Technically, I have not changed very much. Ask my assistants. They'll tell you, I am the easiest photographer to work with. I don't have heavy equipment. I work out of one bag. ↗
They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure. ↗
There's people outside our house; you get followed by photographers; you can't go out and have a cup of coffee with a friend without someone coming up to you. ↗
The photographer begins to feel big and bloated and so big he can't walk through one of these doors because he gets a good byline; he gets notices all over the world and so forth; but they're really - the important people are the people he photographs. ↗
Think of an economy where people could be an artist or a photographer or a writer without worrying about keeping their day job in order to have health insurance. ↗
It was like two different photographers, and shot in three different locations and it was really fun to do. There were 12 beautiful girls in it. It was great. ↗
