Personally, I've found one of the more stimulating ways of playing in recent times has been to kind of move outside the free improvised area and work with people who are probably improvisers but they have a particular way of working. ↗
I sometimes find that playing the bad guy, or villains, or psychopaths tend to be much more psychologically rewarding. And you can really push it, you can push the limits, and get away with it. ↗
I'd been trying for a while to get parts that weren't just the English bad guy, so it was quite refreshing to be playing someone who was a compassionate, decent guy. ↗
I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together. ↗