#plot

The greatest compliment a writer can be given is that a story and character hold a reader spellbound. I'm caught up in the story writing and I miss a good deal of sleep thinking about it and working out the plot points. ↗

— Iris Johansen

#caught #character #compliment #deal #given

Sometimes I'll hear a phrase or a word and write it down in my little black notebook (a writer's best mate), then come back to it and work a plot around it. ↗

— Paul Kane

#back #best #black #come #down

Every couple I know has side-by-side grave plots, but when we do it we're the biggest weirdos on the block. ↗

— Billy Bob Thornton

#block #couple #every #grave #i

We've plotted through the years of how to get to here, where we are now, or we would have never made it. ↗

— George Thorogood

#here #how #made #never #now

We began to do little things, have little scenes where we just talked about things that had nothing to do with the plot. In fact, in the beginning, they didn't want us to do that. But as time went on, you see that in so many shows. I think we were the first to do that. ↗

— Don Knotts

#began #beginning #fact #first #had

You asked what is the secret of a really good sketch. And it is a sketch is a small play. It's got a beginning, and a middle and an end. It should have a plot; it should have the characters, conflict. It is a little play. And in it, will be funny stuff. ↗

— Harvey Korman

#beginning #characters #conflict #end #funny

The Monkees was a straight sitcom, we used the same plots that were on the other situation comedies at the time. So the music wasn't threatening, we weren't threatening. ↗

— Peter Tork

#monkees #music #other #plots #same

All the characters and plots were predetermined. Games make bad plots. ↗

— Margaret Weis

#characters #games #make #plots #predetermined

Typically in horror films the character just services the plot, and you really are just going from 'point a' to 'point b,' just so that you can end up at 'point c.' They are just sort of stick characters. That's just not interesting to me. ↗

— Kevin Williamson

#characters #end #films #going #horror

If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed. Even though life is often like this—the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage—such events, the warp and woof of everyday life, seem irrelevant, meaningless. They are crude, undigested, unpurged bits of reality—to draw a metaphor from the late J. Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. In fact, we expect to be shown that he is in some way responsible for what happens to him. ↗

— Bernard Knox

#fate #meaning #plotting #purpose #writing