But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later. ↗
The necessity to conceptualise has to come very early on, and defining a vector of development for that film also at the beginning of the process will allow you much more freedom as you go along. ↗
The other aspect is that you become much more aware of the structural problems that pertain to that continent. You feel the need to act to try and solve them. ↗
He only seems to me to live, and to make proper use of life, who sets himself some serious work to do, and seeks the credit of a task well and skillfully performed. ↗
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so. ↗
The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius. ↗
The underlying process in Northern music tends to be slower and continuous, whatever's happening on the surface; in Southern music the underlying process is always faster. ↗
