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Matthews asked: “How intimate was your relationship with Dr. Miller?” “Intimate?” Phil still couldn’t grasp what they were asking. “My colleague is asking if you’d ever had sex with Dr. Miller before that evening.” Jones added curtly. “I’ve never…We’ve never…We’re friends. We’d never had sex before that evening, and we didn’t have sex that evening either.” “How do you explain your semen in her sheets then, Mr. Marshall? ↗
Yet the Narrator’s quest is not only for his own identity and vocation. He seeks an understanding of art, sexuality and worldly and political affairs: he is a snoop and a voyeur; he comments and classifies; his taxonomic impulse makes the novel appear to be a vast compendium, replete with burrowing wasps and bedsteads, military strategies, stereoscopes, asparagus and aeroplanes. ↗
I gradually realized that I was seeing another example of creative ebb, another step by another art on the road that may indeed end in extinction. ↗
[Flaubert] didn’t just hate the railway as such; he hated the way it flattered people with the illusion of progress. What was the point of scientific advance without moral advance? The railway would merely permit more people to move about, meet and be stupid together. ↗
