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Read through the most famous quotes by topic #quality
In some industry markets, high quality can be tied to making more money, but I am sure by now all of us know the computer industry is not like that. ↗
The BBC's television, radio and online services remain an important part of British culture and the fact the BBC continues to thrive amongst audiences at home and abroad is testament to a professional and dedicated management team who are committed to providing a quality public service. ↗
The power we discover inside ourselves as we survive a life-threatening experience can be utilized equally well outside of crisis, too. I am, in every moment, capable of mustering the strength to survive again—or of tapping that strength in other good, productive, healthy ways. ↗
#self-awareness #self-confidence #self-empowerment #trauma #traumatic-epiphonies
Look, Charlie," said Vince leaning back in his chair. "It's real simple. We will be four people--two men and two women--I figure it's better to have two women instead of three men and one woman so she'll have someone she can confide in and all. Women need that kind of thing. Anyway, we'll be four people--friends--housemates--equal partners. We'll be an alliance. We'll be just like family. And we'll help take care of one another. We'll have a nice home, each with our own private bedroom and bathroom, and a nice yard with flowers." "And maybe a vegetable garden," added Charlie. "That's it," grinned Vince. ↗
Most of Arbus's work lies within the Warhol aesthetic, that is, defines itself in relation to the twin poles of boringness and freakishness; but it doesn't have the Warhol style. Arbus had neither Warhol's narcissism and genius for publicity nor the self-protective blandness with which he insulates himself from the freaky nor his sentimentality. It is unlikey that Warhol, who comes from a working-class family, ever felt any ambivalence toward success which afflicted the children of the Jewish upper middle classes in the 1960s. To someone raised as a Catholic, like Warhol (and virtually everyone in his gang), a fascination with evil comes much more genuinely than it does to someone from a Jewish background. Compared with Warhol, Arbus seems strikingly vulnerable, innocent--and certainly more pessimistic. Her Dantesque vision of the city (and the suburbs) has no reserves of irony. Although much of Arbus's material is the same as that depicted in, say, Warhol's Chelsea Girls (1966)...For Arbus, both freaks and Middle America were equally exotic: a boy marching in a pro-war parade and a Levittown housewife were as alien as a dwarf or a transvestite; lower-middle-class suburbia was as remote as Times Square, lunatic asylums, and gay bars. Arbus's work expressed her turn against what was public (as she experienced it), conventional, safe, reassuring--and boring--in favor of what was private, hidden, ugly, dangerous, and fascinating. These contrasts, now, seem almost quaint. What is safe no long monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on the newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair. ↗
The modern mind is merely a blank about the philosophy of toleration; and the average agnostic of recent times has really had no notion of what he meant by religious liberty and equality. He took his own ethics as self-evident and enforced them; such as decency or the error of the Adamite heresy. Then he was horribly shocked if he heard of anybody else, Moslem or Christian, taking his ethics as self-evident and enforcing them; such as reverence or the error of the Atheist heresy. And then he wound up by taking all this lop-sided illogical deadlock, of the unconscious meeting the unfamiliar, and called it the liberality of his own mind. Medieval men thought that if a social system was founded on a certain idea it must fight for that idea, whether it was as simple as Islam or as carefully balanced as Catholicism. Modern men really think the same thing, as is clear when communists attack their ideas of property. Only they do not think it so clearly, because they have not really thought out their idea of property. ↗
There is a world out there, so new, so random and disassociated that it puts us all in danger. We talk online, we ‘friend’ each other when we don’t know who we are really talking to – we fuck strangers. We mistake almost anything for a relationship, a community of sorts, and yet, when we are with our families, in our communities, we are clueless, we short-circuit and immediately dive back into the digitized version – it is easier, because we can be both our truer selves and our fantasy selves all at once, with each carrying equal weight. ↗
