And over the last ten years, after my work with the Brodsky Quartet, I had the opportunity to write arrangements for chamber group, chamber orchestra, jazz orchestra, symphony orchestra even. ↗
One is that you have to take time, lots of time, to let an idea grow from within. The second is that when you sign on to something, there will be issues of trust, deep trust, the way the members of a string quartet have to trust one another. ↗
We used to get on planes, and they'd ask who we were, and we'd say, 'The Dave Brubeck Quartet', and they'd say, 'Who?' In later years they'd say, 'Oh', which amounts to the same thing. ↗