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When I started to learn how to read, I discovered the same kind of power. I could create an environment that I didn't have, and I could order this environment in the way that I couldn't in my actual life. Then, when I learned to write, I learned that I could do this not only for myself, but for other people. I could create whole things that were believable, at least to myself, at that point. And in this way, I began to wield an authority and a power that I had not had before. In other words, every child goes through this. Some pick football and some pick the library. I picked the library. ↗
For the vision of a novelist is both complex and specialised; complex, because behind his characters and apart from them must stand something stable to which he relates them; specialised because since he is a single person with one sensibility the aspects of life in which he can believe with conviction are strictly limited ↗
I believe that people should write biographies only about people they love, or understand, or both. Novels, on the other hand, are often better if they're about people the writer doesn't like very much. ↗
forests of monsterous overnourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannible devils; mound like tentacles groping from underground nuclei of polypous perversion...insane lightning over malignant ivied walls and daemon arcades choked with fungous vegetation...Heaven be thanked for the instinct which led me unconscious to places where men dwell; to the peaceful village that slept under the calm stars of clearing skies. ↗
Writing is for men who can think and feel, not mindless sensation seekers out of nightclubs and bars. But these are bad times. We are condemned to work with upstarts, clowns who no doubt got their training in a circus and then turned to journalism as the appropriate place to display their tricks. ↗
This was dangerous talk—in these enlightened times, a wise woman would never be too clever. The accusation of witchcraft had rid many men of an ugly wife and yet more women of an attractive rival. ↗
You cherry-pick events that are relevant to the story question and construct a gauntlet of challenge (read: the plot) that will force the protagonist to put his money where his mouth is. Think baptism by ever-escalating fire. ↗
There is no point in expending good money on the pursuit of an engine that can power aircraft without propellers. What is wrong with airships anyway? They have borne mankind aloft for over a hundred relatively accident-free years and I see no reason to impugn their popularity... ↗
All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery. Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one's own personality. Good prose is like a windowpane. ↗
