#raft

I want to warn anyone who sees the Peace Corps as an alternative to the draft that life may well be easier at Fort Dix or at apost in Germany than it will be with us. ↗

— Sargent Shriver

#anyone #corps #draft #easier #fort

I never regarded my pictures as very much to be proud of, except in this, the craft, the style. ↗

— Douglas Sirk

#except #i #much #never #pictures

If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason. ↗

— Douglas Sirk

#certain #craftsmanship #every #gone #i

The benefit of this kind of outlining is that you discover a story's flaws before you invest a lot of time writing the first draft, and it's almost impossible to get stuck at a difficult chapter, because you've already done the work to push through those kinds of blocks. ↗

— George Stephen

#already #because #before #benefit #blocks

Well, they didn't lack for topics after Hiroshima. Why should 9/11 slow them down? I know it got a lot of press, but it's just a few large buildings and aircraft, it's not like D-Day and the Seige of Berlin. ↗

— Bruce Sterling

#aircraft #berlin #buildings #down #few

Obviously, I haven't really progressed that much at my craft. ↗

— Rod Stewart

#haven #i #much #obviously #progressed

We travel together, passengers on a little spaceship, dependent on it's vulnerable reserves of air and soil, all committed, for our safety, to it's security and peace. Preserved from annihilation only by the care, the work and the love we give our fragile craft. ↗

— Adlai E. Stevenson

#annihilation #care #committed #craft #dependent

I remember the day I found out my draft status. I was really floored and kind of staggered around in a daze. It just hadn't occurred to me that I could end up in Vietnam. ↗

— Parker Stevenson

#could #day #draft #end #floored

I personally take cues directly from the script, then I like to surprise the other actors. But you must maintain control on a level and see how far you can go up, down or out emotionally. You have to balance the craft with spontaneity. ↗

— Lusia Strus

#control #craft #cues #directly #down

The second draft is on yellow paper, that's when I work on characterizations. The third is pink, I work on story motivations. Then blue, that's where I cut, cut, cut. ↗

— Jacqueline Susann

#cut #draft #i #motivations #paper