I tend to jot down moments, lines, interactions that don't really make any sense. I try and explain these scattered notes to my close friends, and they become more and more logical. I see screenwriting as a bit like a math equation which I have to solve. ↗
The last really expensive trip we took was so uncomfortable. It's so lazy. I want somebody to give me a great $30 massage as opposed to a bad $265 massage. ↗
I've been given an amazing opportunity and I could not be more grateful. But I also know that all this will eventually die off. It's not real. It will go away and then you'll go away and then, I don't know, I'll be left sitting in some English hotel room. ↗
The next couple of jobs will determine, at least from a business point of view, if I'm a guy who's actually the real thing or I'm a guy who's had a nice moment. ↗
The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings. ↗
I like mixing things. I wear a lot of boots. Love boots. And then jeans, but I like to wear them with a really ruffly top. Or I love high-waisted anything. ↗
