Just the fact that I've lived more, and I'm not concerned about when I am going to get my next job anymore. This business is free-lance and it's not a steady job. Younger, I would have been more preoccupied with myself. ↗
There would seem to be a limit, even for an art preoccupied with boundaries and transgressions, beyond which a work reaches its breaking point and becomes an actual failure, a mere experimentation. ↗
The funniest racism is the racism between minorities. It's something you don't see dramatized, but almost every minority I know who's my age, they have these funny stories about their parents stereotyping other minorities. ↗
A lot of times I watch TV and I watch film and there's so many things I'd love to talk about that I feel don't get the opportunity to be shown. Sometimes things become very stereotypical and one-sided, and I feel like it's such a colorful world. ↗
I've always been into films. I've been offered lots of films but they've always been these very stereotypical roles. They wanted me to play some gangster or street guy, or pimp, drug addict. ↗
Moreover, statistics can be deceiving: the growth of jobs in the US in the 90s was due to many part-time jobs, with no benefits and generally low pay. ↗
I would say that if you don't feel like talking to the crowd something is wrong and if you force yourself to talk to them things will happen and to that extent things aren't choreographed. ↗
I thought I had to make an impact on history. I had to become the greatest choreographer of my time. That was my mission. Posterity deals with us however it sees fit. But I gave it 20 years of my best shot. ↗
I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day. ↗
