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Read through the most famous quotes by topic #ria
Perception can be one-sided or variant: "Glass half empty or half full." There usually is more than one way of perceiving. Thoroughly check your inner dialogue. ↗
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People told me not to get married; I didn´t listen. No one ever listens, it seems to me now. Perhaps people should stop trying to communicate. N was not a communicator; early on, I´d insisted on communication. Now I see his point acutely. I would love to have him back to not communicate with me. I would never ask for communication again, I would simply go elsewhere for the deep fish. Also, I´m not at all sure I want to hear what he has to say in this new vista. This works out well. ↗
Unfortunately, I had a feeling I would never get to my bed as the vacuuming would strike me dead of an aneurysm. Death by Dyson." - Reed ↗
He knows that there will be days ahead, long, tedious days which have no real beginning or ending, but which run together into night and out of it without changing color, or sound, or meaning. He will lie in his bed feeling the minutes and the hours pass through his body like an endless ribbon of pain because time becomes pain then. Light and darkness become pain; all his senses exist only to receive it, to transmit to his mind again and again, with ceaseless repetition, the simple fact that now he is dying. ↗
You have come to realize that you must leave it (the old country) and enter the new country, where your Beloved dwells. You know that what helped and guided you in the old country no longer works, but what else do you have to go by? You are being asked to trust that you will find what you need in the new country. That requires the death of what has become so precious to you: influence, success, yes, even affection and praise. ↗
Woolrich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking nightmare, the oscillation thriller, the headlong through the night story, the annihilation story, the last hours story. These situations, and variations on them, and others like them, are paradigms of our position in the world as Woolrich sees it. His mastery of suspense, his genius (like that of his spiritual brother Alfred Hitchcock) for keeping us on the edge of our seats and gasping with fright, stems not only from the nightmarish situations he conjured up but from his prose, which is compulsively readable, cinematically vivid, high-strung almost to the point of hysteria, forcing us into the skins of the hunted and doomed where we live their agonies and die with them a thousand small deaths. ↗
Extraordinary afflictions are not always the punishment of extraordinary sins, but sometimes the trial of extraordinary graces. ↗
