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Read through the most famous quotes by topic #roles
The role of genius is not to complicate the simple, but to simplify the complicated. ↗
#complication #genius #intelligence #practicality #practicality-for-intellectuals
I'm going to go out on a limb here. I've thought a lot about this one, as a feminist, and as an author. How should traditional roles be portrayed? In fantasy literature there is a school of thought that holds that women must be treated precisely like men. Only the traditional male sphere of power and means of wielding power count. If a woman is shown in a traditionally female role, then she must be being shown as inferior. After a lot of thought, and some real-life stabs at those traditional roles, I've come to firmly disagree with this idea. For an author to show that only traditional male power and place matter is to discount and belittle the hard and complex lives of our peers and our ancestresses. ↗
We could call you an ambisexual. A duosexual. A—” “Do I really have to find a word for it?” Kyle interrupts. “Can’t it just be what it is?” “Of course,” I say, even though in the bigger world I’m not so sure. The world loves stupid labels. I wish we got to choose our own. We pause for a moment. I wonder if that’s all—if he just needed to say the truth and have it heard. But then Kyle looks at me with unsure eyes and says, “You see, I don’t know who I’m supposed to be.” “Nobody does,” I assure him. ↗
#glbt #young-adult #love
Chorus of old men: If we give them the least hold over us, 'tis all up! their audacity will know no bounds! We shall see them building ships, and fighting sea-fights like Artemisia; nay if they want to mount and ride as cavalry, we had best cashier the knights, for indeed women excel in riding, and have a fine, firm seat for the gallop. Just think of all those squadrons of Amazons Micon has painted for us engaged in hand-to-hand combat with men. ↗
Le privilège économique détenu par les hommes, leur valeur sociale, le prestige du mariage, l'utilité d'un appui masculin, tout engage les femmes à vouloir ardenment plaire aux hommes. Elles sont encore dans l'ensemble en situation de vassalité. Il s'ensuit que la femme se connaît et se choisit non en tant qu'elle existe pour soi mais telle que l'homme la définit. ↗
#gender-roles #men #women #men
Judith Rey watches the young woman. Once upon a time, I had a baby daughter. I dressed her in frilly frocks, enrolled her for ballet classes, and sent her to horse-riding camp five summers in a row. But look at her. She turned into Lester anyway. She kisses Luisa’s forehead. Luisa frowns, suspiciously, like a teenager. “What? ↗
In the midst of these fine gentlemen with their great names and their ancient traditions of respectability, the two women sat face to face, exchanging tender glances, triumphant and supreme in the tranquil abuse of their sex, and their open contempt for the male. And the gentlemen applauded them. ↗
Dagmar knew there were worse things in this world than pretending to be a caring, demure woman. For instance, actually being a caring, demure woman. ↗
All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. ↗
